19 July, 2006

Farrell: The Televised Propaganda of Israeli Terrorism

Posted by alex in Mark Farrell at 1:13 pm | Permanent Link

The Televised Propaganda of Israeli Terrorism

by Mark Farrell

I don’t watch TV too much any more as a result of it being so biased and, quite frankly, depressing–not to mention wasting time on what I perceive as mostly propaganda. It is has become little more than slavishly pro-Israel sound bytes, created by a propaganda-machine that is highly influenced–and almost exclusively owned–by Jews.

Needless to say, Israel-first Jews will argue to the ignorant–anyone who will listen to their idiotic diatribes and accept their baseless lies at face value, especially those people who don’t have enough common sense to question the truth of these matters–that they have little to no influence at all . Some Israel-first Jews even argue (all the while hiding their smirks quite well) that the media are against them.

Still, if you bother to take a little time to search for articles about Jews and their influence on the media on the Internet, you’ll discover that there is much more to it than some whacky right- or left-wing conspiracy; it is a fact with which America must squarely face. For, should we ignore the facts, it is highly probable that America may one day face WWIII at the behest of these Israel-first aliens in our midst.

For me, I find it somewhat difficult to believe that some people still believe that America has a free press. But, if it’s “free,� in a distorted sense of the word, it is only free to air Israel-first propaganda.

As a result of such Israel-first propaganda, I seldom turn on my television set any more. I figure, why should I waste my time listening to the propaganda-machine, when I can think for myself and realize what they’re telling me is nothing but sheer drivel?

However, I was at a restaurant the other day, and I was subjected to some commentary and footage of the Israeli-sponsored terrorism, etc. I couldn’t very well turn it off. So I stayed and listened to the spewing of more Israel-first propaganda, with the commentators feigning to be objective for appearance’s sake.

Of course, almost needless to say, when a brief (very brief) mention was made of the damage caused by Israelis, the news only focused on the buildings that the Israelis damaged.

Conversely, when mention was made of the attack on Israelis (the main focus of the news cast, which was given about 75 percent of the time allotted), the attention was focused on people hurt–thus giving viewers the impression that Israel was only shelling mostly unoccupied buildings, whereas the retaliation was concerning itself with people, obviously a far cry from the truth in such matters.

How many hundreds, if not thousands, of people have been maimed by the Israelis, not to mention murdered, in the latest tragic events? This number goes unknown; the press simply will not address the true scope of damage caused by the Israeli Terrorist Forces (a more appropriate name for Israel’s army).

Demonstrating a methodical pattern of terrorism perpetrated by the Israelis, some of the Israeli Terrorist Forces’ damage was shown in the documentary “Zionist War Crimes: The Case for the Prosecutionâ€? – http://www.honestmediatoday.com/zionist_war_crimes_video.htm – which shows the long-years of terrorist activities by the Israelis and how their judgment day will come. And, mark my words, indeed, while these Israeli terrorists may gloat today with an unprecedented arrogance that showers the world with their dark, soot-like propaganda, the day Will come when these Israel-first Terrorists will be Prosecuted by the world-at-large.

They can’t hide the facts forever.

These Israel-first Jews tell us that they’re somehow the “victims,â€? suffering from this “eternal victim hoodâ€?–always entirely innocent of any wrongdoing and merely being picked on because, they argue, they’re God’s special pets.

In the latest melee, the Jews said that it was started because two members of the Israeli Terrorist Forces were abducted by the oh-so-mean Lebanese.

Needless to say, the pro-Israeli press forgot to mention that the members of the Israeli Terrorist Forces were in Lebanon–a place in which they had no business being, except for the fact that they like to arrogantly “flauntâ€? their “strength,â€? showing how “toughâ€? (as a result of worldwide military technology that they’ve bought or stolen) they are against the unequipped Lebanese.

It was just as I expected the news to be. After watching the news, I felt somewhat of a victim myself–of televised Israeli-made pro-terrorism propaganda. Everything was so incredibly slanted–so incredibly pro-Israel–that it made me feel somewhat nauseous.

What a sick world in which we live, where the Terrorists feed us the news.

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  7. 3 Responses to “Farrell: The Televised Propaganda of Israeli Terrorism”

    1. Coup d'Etat Says:

      Allow the flamboyancy of the jews. Their bragging on how great they are in military strikes is showing the world their true colors or color. The blackness of their souls is evident to many such as yourself to the point of nausea. The media such as the TV is not the only source of their flamboyancy. The AM radio stations are flooded with liberals siding with jews. To listen is to know that those people have no conscience. Some were even applauded for saying the right liberal garbarge on a 1420 AM radio station that I have been listening to for the last two days. After awhile, their tactics are evident that they are doing all they can to try to change or win over the minds of the sheeple.

      Other’s are still watching/listening and learning the vile tactics as the jews are portraying now. Some are learning, some are waking up and realizing that the jews are wrong, that they are murderers. As the song says, “Let it be….Whisper words of wisdom, let it be” written by the Beatles has more meaning than hint of a religious view. Wisdom is nothing more than revealation, a wakening. Let the vile varments whisper through their flamboyancy. The more they whisper, the more we become wise. Let it be.

    2. Shabbos Shabazz Says:

      “Let it be….Whisper words of wisdom, let it be�

      I believe the Beatlles manager was named Brian Epstein. . .

    3. Shabbos Shabazz Says:

      (from: When Victims Rule. A Critique of Jewish Pre-eminence in America)

      In the 1960s era, the Beatles’ agent/manager, Brian Epstein, was Jewish, as was the promoter, Sid Bernstein (“New York’s leading promoter in the mid-sixties,” [GLATT, p. 87] of their early Carnegie Hall and Shea Stadium concerts. The head of Bernstein’s employer — the General Artist Corporation — was Norman Weiss, also Jewish. A Jewish entrepreneur in America, Irwin Pincus, “secured foreign rights on six original Beatles recordings.” [ELIOT, M, p. 127] These seminal tunes appeared on the Vee Jay label (which also recorded the popular Four Seasons) in the early months of “Beatlemania’ in America. (Meanwhile, the state of Israel banned the Beatles from performing there in 1965 “for fear of the decadent affect it would have on Israel’s youth).” [FRANKEL, G., p. 273] Sandy Gallin (also Jewish and, like Epstein, gay) “shot to stardom after booking the Beatles for their legendary 1964 American debut on The Ed Sullivan Show.” [KING, T., 2000, p. 93]

      “The daughter of prosperous furniture manufacturers in Sheffield,” says Albert Goldman, “[Brian Epstein’s mother] had been educated in a school dominated by Roman Catholics, an experience that led to her to attribute all her subsequent misfortunes in life to anti-Semitism, another trait Brian adopted.” [GOLDMAN] “At age ten,” adds Chet Flippo, “[Brian] was expelled from Liverpool College for scrawling dirty pictures. He and his mother attributed the expulsion to anti-Semitism.” [FLIPPO, C., 1988, p. 143]

      Both Epstein’s parents “were from prominent Jewish families in Liverpool” and he was an heir to his family’s NEMS company: the North End Music Store chain, which was purchased in the 1930s. [FLIPPO, C., 1988, p. 143] “Brian didn’t care that much about the Beatles’ music,” writes Flippo, “They knew that early on and he always acknowledged it. He had absolutely no experience in managing a group and the Beatles knew that. His contacts, such as they were, were with the business side of record companies.” [FLI_PPO, C., 1988, p. 142] Epstein, notes the Jewish Forward, was a

      “gay, Jewish record-department manager — of the Liverpool store owned by his parents — who met the Beatles and in little more than a year turned them into the most successful musical act in the world. The life of the Beatles’ first manager has been familiar to Beatles fans for decades, though always as one of the sideshows to the record-shattering main attraction. With the focus reversed, some arresting tidbits emerge, such as when Paul McCartney explains his father’s immediate approval of Epstein. ‘He thought Jewish people were very good with money,’ Mr. McCartney says. ‘That was the common wisdom. He thought Brian would be very good for us … And he was right … If anyone was the fifth Beatle, it was Brian.’ MANDELL, B., 2001]

      A biography of Epstein is entitled “The Man Who Made the Beatles.” “While none of his performing artists were Jews,” notes author Roy Coleman, “Brian veered towards the company of Jews in the music business, and some of his senior colleagues were Jews: Nat Weiss, Dick James [originally Richard Leon Vapnick], Dan Black, Vic Lewis, Bernard Lee.” [COLEMAN, p 345] Weiss became partners with Epstein in a company called Nemperor Artists.

      Another Beatle-based company (called Stramsact in London and Seltaeb in America) was formed, in conjunction with Epstein’s lawyer, David Jacobs, to merchandize everything from Beatles chewing gum to wallpaper. Jacobs funneled considerable Beatles business in America to famous Los Angeles Jewish lawyer Marvin Mitchelson. [JENKINS, p. 85] David Jacobs, note Peter Brown and Steven Gaines, “adored the young Brian Epstein and took him under his wing. The two men were similar in many coincidental ways. Their families were both in the furniture business, both were born and bred of money, and both had doting Jewish mothers. Both were homosexual. David Jacobs became Brian’s chief solicitor. From then on, all legal decisions and contracts would be made with David Jacobs’ advice.” [BROWN/GAINES, 1983, p. 122]

      Victor Lewis, also Jewish, was the Managing Director of yet another Epstein company, NEMS Enterprises. The Beatles had a 10% interest in this company that was based on their profitability; Epstein and his brother held the other 90%. [COLEMAN, p. 305] As Decca writer Tony Barrow once noted, “As for hiring of staff, what John Lennon said to me upon our introduction — ‘if you’re not queer and you’re not Jewish, why are you joining NEMS?’ — proved to be pretty accurate. They weren’t all Jewish, but that was the ideal combination of the two things that were most close to [Epstein] or his family’s heart.” [COLEMAN, p. 178]

      Nemperor Holdings (formerly NEMS) was eventually sold to Jewish businessman Leonard Richenberg of Triumph Trust. “Trust became a 90 percent holder of Nemperor … The Beatles were stunned that they had lost Nemperor” After various legal threats, they managed to reacquire it). [BROWN/GAINES, 1983, p. 322]

      The aforementioned Jewish businessman, Dick James, controlled the Beatles’ publishing licenses and was their publisher at Northern Songs. James, note Peter Brown and Steven Gaines,

      “became for the Beatles a symbol of the music business. He was a balding Jewish ‘uncle’ to the boys, a man with a big cigar and a sly smile, who taught John and Paul one of the biggest lessons of their lives … John and Paul would form a songwriting partnership called Northern Songs … Dick James, in return for his responsibilities as a music publisher, would get 50 percent of the earnings. In literal terms Brian [Epstein] signed over to Dick James 50 percent of Lennon and McCartney’s publishing fees for nothing. It made him wealthy beyond imagination in eighteen months.” [BROWN/GAINES, 1983, p. 186]

      Chet Flippo notes the context of Epstein’s death (an overdose of sleeping pills):

      “There were immediate rumors then, just as there are rumors now, that Brian Epstein was murdered as the end result of one or another of the many business deals that he had cut regarding the Beatles. There were so many murky deals, involving so many people and so much money, that it could even have been a deal that he failed to do that might have resulted in such rumors of vendetta and revenge. Subsequent court hearings over the years have showed that the Beatles were probably — there is no information for this kind of data — the most underpaid superstar performers ever. Given thier worldwide acclaim and the milions of records they sold, one would have imagined that they were millionaires many times over. That was hardly the case … As Paul [McCartney] especially had started to try to dig into the Beatle business books, which they had never even thought to do during the Fab Beatlemania years, suspicions of Brian had started bubbling to the surface.” [FLIPPO, C., 1988, pl. 244]

      Also after Epstein’s death, in 1969 James sold the rights to the Beatles songs from under them. “It was the single most contentious deal arising from the Epstein-James era,” says Coleman. “The Beatles were angry at what they regarded as betrayal.” [COLEMAN, p. 306] Marc Elliot notes that James sold “his interest in Northern Songs to the notorious [British Jewish media mogul] Lew Grade, known in the film industry as Low Grade.” [ELLIOT, p. 158] Epstein also had “good communication” with Grade’s brother, Bernard Delfont, “one of the czars of London show business.” [COLEMAN, p. 245-246]

      Epstein also managed the career of singer Cilia Black. “After Cilia’s performance [in New York City],” notes Brown and Gaines,

      “Brian threw a party for her in a hotel suite upstairs. The party was crowded with press and New York show business personalities when some woman within Brian’s earshot remarked that the lobby of the Plaza Hotel looked ‘Jewish.’ Brian flew into a wild rage. The party came to a halt around him as he screamed, ‘Madame, I happen to be Jewish!’…. It was a small miracle the incident didn’t find its way into the press.” [BROWN/GAINES, 1983, p. 183]

      Moving in the circles of rich and powerful, notes Coleman, “Brian had struck up a particularly warm rapport in London with Bernice Kinn, wife of the owner of the New Musical Express. An ebullient, intuitive Jew, she and her husband Maurice formed part of the core of London’s 1960s show business hosts and party goers.” [COLEMAN, p. 245-246] Another of Epstein’s “close friends” was Lionel Bart (Beglieter), the Jewish song writer for many of pop star Cliff Richard’s songs, and originator of the musical score for the musical play, Oliver! [PRESS ASSOCIATION NEWSFILE, 4-3-99]

      The Beatles’ “official photographer” during their peak years (1962-67) was Jewish — Dezo Hoffman. Paul McCartney’s wife Linda (Eastman — originally Epstein) was also Jewish. [GILBERT, G., 1996, p. 77, 172] Eastman’s father also became active in legal squabbles between the Beatles, especially between McCartney and Lennon. McCartney’s lawyer in this contentious era, Charles Corman, was an Orthodox Jew. [BROWN/GAINES, 1983, p. 333] The producers of the Beatles first movie, A Hard Day’s Night, were Walter Shenson and Bud Orenstein. Richard Lester directed the movie, and is also Jewish. [JEWHOO; online] Famous Jewish singer Bob Dylan (Robert Zimmerman) introduced the Beatles to marijuana the first time he met them, a gathering arranged by music writer Al Aronowitz. [BROWN/GAINES, 1983, p. 150]

      After John Lennon’s death, another Jewish agent, Elliot Mintz, has been for years Yoko Ono’s publicist (he has also worked as a public relations man for Bob Dylan, and other capacities with pop singers throughout the years). Immediately after Lennon’s assassination, an employee, Fred Seaman, and his “old college roommate,” “psychiatrist and New York diamond dealer” Bob Rosen, set up a network (termed “Project Walrus”) to market Lennon’s stolen journals and other memorabilia [MINTZ, 1991]

      Citations for the above, here.