8 November, 2006

Can You Smell the Jew?

Posted by alex in Arch Stanton, Europe, immigration, Islam, movie reviews at 12:54 am | Permanent Link

Alex,

Can you smell the jew in the article below? (After recent additions, way below) You should find this piece reeking of that now common stale, sick, smell of the jew’s poisonous excretion. Once again the jew pisses on us and the white man laps it up like sweet, morning dew. Run Europe run! Run and hide! don’t you know we have destroyed your will? Submit! Resistance is futile! Give up and run to another false, white, enclave! And if you run, we promise not to tell you that we control the enclave to which you are running in exactly the same manner as we control Europe and America. Run? Run where? The jews own it all, the jew’s matrix owns us and controls all of us. Don’t you boys get it? There ain’t no countries anymore, no nations, no borders, they own the whole goldurned thing! Through their economic debasement and their mass media, the jews now own and control virtually the entire planet so where you gonna run to white man? Australia? New Zealand? Canada? If you believe running to other countries are the white solution to a dark problem, then clearly you haven’t been paying attention. Read the following excerpt and then read the entire interview.

“Youssef Aschkar: It is not that simple with political leaders, even if usually they do show themselves guilty of irresponsibility, opportunism, and lying. The core of the problem lies elsewhere: finding out who holds true power. In the “new world order”, this power is in the process of shifting from the territorial authority of states to the uncontrolled authority of a line of new masters. I am not talking about the multinational corporations, the transnational financial institutions, and the process of economic privatization. The new masters are of a different kind: they are connected to the monstrous team of the neocons, who act in all four corners of the globe by means of their networks and their mercenaries. The economic sphere is in full submission to their project. Privatization is nothing more than a simple economic measure, mainly an ideology which consists in privatizing and monopolizing the public space – especially politics and security – in order to exploit the other sectors. It is nothing less than a monstrous planet-wide coup d’état.”

http://signs-of-the-times.org/signs/editorials/signs20061102_The22WaragainstTerror22isaWaragainstthePeople.php

I well remember White men running off to Africa back in the 1970s. The idea then was to live under the freedom of apartheid. Africa was then a place where, as one future expatriate put it, “a white man doesn’t have to take any shit off niggers”. Take a look at where that “freedom” has led the white man, better yet ask Eric Thomson what white “freedom” is like in Africa. The jew well understands the simple psychological fact of fight or flight, that when the human animal is running, or at least believes there is a place left to run towards, then they will spend their time in the pursuit of trying to escape instead of standing and fighting. To put it more succinctly, as long as one is running they will never allot the time to stop and face the problem that confronts them. So what do the jews urge? Run! Run for your life! Run for your race! Run! Run! stupid white man, keep running while we continue to destroy your world. All we jews need is to buy a little more time, all we have to do is keep you asleep until we finally exert our total hegemonic control over the planet, then we will be able to ferret you out from whatever corner you have run to and we will destroy you! So run, run stupid white man – RUN!

I do not watch television, read the newspapers or periodicals and I seldom see movies. So it was quite by accident that a friend recently invited me over to watch the movie V for Vendetta. Oy Vey! Yet another dystopic, jewish, film about a dark and dysfunctional white society – who would have ever suspected? Quite unexpectedly I found this movie had a profound effect on me; so profound in fact that in an effort to understand what I was actually seeing I rented it myself and watched it another five times. I can assure you that what I saw, the messages I gleaned, were not all intended by the jews who made this movie. One look at the whiteness this movie portrays and the viewer cannot help realizing how truly horrible society is with all the diversity forced upon us by the jew. Watch the final scenes where the throngs of common people take off their Guy Fawkes mask to reveal a sea of white faces – white. (Of course there are a couple of mercifully silent congids in this movie, I mean after all we are talking about a JEW movie) When was the last time you actually saw such a thing either in real life or in the movies?

The basic premise of the movie is just how horrible an all white society really is and delightfully to achieve that portrayal of ugliness we are treated visually to a long gone, all white, England. There is no race but the white race portrayed in this movie; ugly, nasty, white people to be sure, but white people nonetheless. Here is what one of the white, totalitarian leaders says about the past, “Understand I saw it all, immigrants, Muslims, homosexuals, terrorists, disease ridden degenerates, they had to go, strength through unity, unity through faith!” Horror of horrors, a world with out diversity; why only an evil Nadzee could entertain such thoughts, says the jew.

Of course the last portion of that little diatribe is an obvious allusion to Nazi labor leader Dr. Robert Ley’s “Strength though Joy” slogan. In the same fashion the English Chancellor’s name is “Adam Sutler”. Yeah, another big jewish surprise, England’s prime minister has been replaced by a chancellor, the better to Nadzee you with of course. How transparently thin this veiled reference to Adolf Hitler. Chancellor Adam Sutler, Chancellor Adolf Hitler try it a few times and see if you can hear the jew’s clever, subliminal, rhyme. I always hear how brilliant the jews are, yet I see naught but grade school efforts at pinning their propaganda tail on the Nazi. Then again why should a jew soil his hands with any more work than necessary? Obviously this is all the propaganda it takes to bamboozle the white public. Of course this is a comic book – ahem – “graphic novel” we are writing about here.

It is with no little irony that I note a jewish inspired cartoon character has taught me a number of valuable lessons. Like the serial killers who wants to be caught and punished for their misdeeds, so to the jews know what they have done and they know they must eventually pay the price for their actions. Their fear of reprisal is beginning to show, http://www.vdare.com/misc/061031_girin.htm. Occasionally I find virulently anti-jew messages presented by the jews. Sometimes these message are intended to propagate the so called “anti-Semitism” jews crave, as this “hate” ensures the persecution jews rely on for continued racial solidarity. At other times these messages are Freudian slips that reveal the jew’s true intent. Like the criminal who wants to be caught, the jew on occasion unintentionally presents what they believe should be the actual response of their victims.

The movie “V for Vendetta” was constructed as a message of hope for the hopeless. Like the message below telling the white man he can run, this movie serves to assure us that by aligning ourselves against white hatred, we can overcome the evil that now overwhelms our civilization. In the article below we find this declarative description: “Whilst sitting on a terrace in Berlin, Broder pointed to the other customers and the passers-by and said melancholically: “We are watching the world of yesterday.” Likewise in the movie we find a corollary thought when V tells Evie, “This is my gift to you Evie . . This world, the world that I’m a part of, that I helped shape, will end tonight and tomorrow a different world will begin, a different people will shape and this choice belongs to them.”

Clearly the jews are increasingly telegraphing their inner belief that their victory at hand, that they have won and now all that is left for the white race is to run and hide as they bring about their new world order. There is however no need to speculate on this matter by plumbing the depths of a jewish comic book character or a sycophant’s article; one only needs to read what the jews are saying outright, But there is also “a strong tragic sense” to Rabbi Schiller’s thinking—he tells me that he believes that the West is doomed and “the game is essentially over.” Thus from the jew’s view through a looking glass darkly we are being told that we have lost and can either run, or alternatively work hard enough to overcome ourselves, our true nature, our own racial heritage, thus destroying ourselves in the process – oh joy. These are the alternatives we are presented instead of overcoming our true enemy – heads, jews win – tails, we lose.

The jews are the masters of irony, whether intended or not. In the scene where V is addressing the public by playing a prerecorded television tape, he states: “And the truth is there is something terribly wrong with this country”. He then elaborates what exactly has gone wrong, “cruelty, incivility, intolerance and oppression. Where once you had the freedom to object, to think and speak as you saw fit, you now have censors and systems of surveillance coercing your conformity and suggesting your submission. How did this happen who is to blame? But then truth be told, if you are looking for the guilty you only have to look into a mirror.” The average viewer will immediately associate V’s onscreen accusations with the experiences they perceive in their own life. V’s soliloquy perfectly dovetails into the jew’s propaganda that constantly harps on white societies cruelty, incivility, intolerance, etc. Yet what the average viewer fails to realize is that it is the very jews who make movies like this that have brought about what is terribly wrong with this country.

It is the jews who are responsible for western societies’ cruelty, incivility, intolerance and oppression, their lack of freedom to object, to think and speak as we see fit. It was due to the “good intentions” of jews like Emmanuel Celler that America is now plagued with unrestricted immigration, a plague that has brought about cruelty, incivility, intolerance and oppression of the police state. It was jews like Michael Chertoff and the legions of jewish media, who put in place the censors and systems of surveillance, coerced our conformity and suggested our submission to the state. But in a cinematic master stroke, who do the jews blame for their actions? Why it is our own fault of course! We only have to look into a mirror to find the guilty party. Once again we find irony within irony, we see a fundamental truth in the big lie for in fact it was our fault, we are to blame. It was that man in our mirror who allowed the jew into our society. And so the question goes begging, what are we to do about this problem? How do we deal with those who have brought such cruelty, oppression and censorship about?

There are the two touching scenes in the movie containing the line, “God is in the rain”. What on the surface appeared as a touching line about God’s omniscient presence perplexed me at first, but after applying my reasoning to how God’s raining down upon us was somehow pertinent to the story, the meaning became quite clear. When this line is viewed the in the overall context of the movie, the intimation was obvious – God is in fact urinating on us, no doubt due to our sinning existence of being white Europeans! My how jewish a thought, I mean after all who else but jews would envision a God pissing on their enemies?

Only a movie produced by someone with a name like Joel Silver could come up with the idea of God pissing on an all white society because of its racial purity! While I find such sideways slander disgusting, I always find it interesting that such people put such focus on their relationship with God. Such revelations expose the true diabolical nature of the jew. As in every lie, no matter how big, there is always an element of truth and this movie has many such truths in evidence. There is a scene in the movie where the main character V is exacting revenge on the doctor who destroyed his body, his country and his people. Ignoring the obvious allusion and tribute to the jew’s fabled Hollowhoax and the mythical experiments of Dr. Mengle, upon closer examination we find a deeper message in this scene.

The doctor, once a biologist conducting viral experiments, was involved in the government’s effort to supposedly prevent a biological attack. But in fact, these experiments are intended to develop a means of mounting a deadly, false-flag attack on England. The idea is to use this monstrous attack to terrorize the people into submission so they will accept to the evil, white, totalitarian state. Of course the attack works, which is why V now exacts his revenge. Who but evil white men could possibly come up with such an idea of using a false-flag attack to achieve hegemonic power? Care to guess? Might I suggest reading William Pierce’s “Who Rules America” for a clue towards finding the actual perpetrators of media-based terror. At first the doctor does not understand the full consequences of her deadly experiments, one of whom is V himself. Later, realizing the evil of her experiments which are not intended to save the people but in fact destroy them, she regrets her actions and apologizes to V. V then responds with the following asseveration: “I have not come for what you hoped to do, I have come for what you have done.”

The movie’s closing music for the credits has two very interesting voiceovers. The first is an excerpt from “On Black Power” by Malcolm X in which one hears the following assertion: It is criminal to teach a man not to defend himself when he is the constant victim of brutal attack. The second voice over is an excerpt from jewess Gloria Steinem’s feminist diatribe “Address to the Women of America”, this is Steinem’s version of Tikkun Olam. When the day comes and we finally teach ourselves to defend our people from the jew’s constant, brutal, genocidal, attack, when the day comes that we finally face the Steinems, Cellers, Makows, Pipes, and Horowitzs of this world, when we confront them with the evil they have wrought upon our people, when we hear their apologies, when they tell us their actions were truly made with the best of intentions, when they tell us they really meant us no harm – then we should call upon the jew’s own cinematic response – We have not come for what you hoped to do, we have come for what you have done.

One other very interesting contrast can be found in the “special features” disk. In the movie the jewess Natalie Portman portrays a sensitive, vulnerable, young girl who’s initial innocence is portrayed most vividly by having her dress up as a little girl to assuage a pedophiliac’s sexual appetite. Of course the pedophiliac is depicted as a – Surprise! – Catholic Bishop. Vat? You expected a Rabbi mebbe? (Never risking a stale moment, it seems jews are always turning up the delightfully unexpected.) Yet when you view Portman’s incredible rap video on the special features disk, you can see the real jew, in-your-face, vicious, vulgar, ugly, loud and most tellingly, attacking a white man. The contrast is startling between her movie character and the rap video. One thing for certain, Ms. Portman certainly can act, but then what jew isn’t naturally janus faced? Oh, and for the final surprise we find in the video interview that Ms. Portman is a Harvard graduate. Vat? You expected Texas Christian University mebbe?

If you haven’t seen this movie yet, I suggest following Abbie Hoffman’s advice. Mr. Hoffman once admonished his readers to “steal (t)his book”. Instead of stealing a jew’s book however, you might want to steal this jew’s movie. No matter how you obtain the movie though watch it, then watch it again – carefully. There are many, many, pertinent messages for whites, both intended and unintended, to be found at many different levels within this movie. Just be sure to don your treasured pair of Hoffman glasses before viewing. (Is there some sort of cosmic irony to be found in the name Hoffman? http://www.realnews247.com/hoffman_lenses.htm)

One final note, the overall concept of social revolution, on which the movie is based, is taken from Guy Fawkes’s attempt to blow up Parliament. (jews and revolution? Peanut butter and chocolate in a single cup? Will the surprises never stop?) The protagonist in the movie uses a fanciful mask of Guy Fawkes to cover his horrible deformities. The opening sequence is a black screen and one hears Portman’s voice quoting a clever little rhyme that commerates Fawkes’ effort to change the English government. “Remember, remember, the fifth of November, Gunpowder, treason and plot. We see no reason why Gunpowder treason should ever be forgot!” I have adapted this rhyme to a more modern purpose, to wit: Remember, remember, eleven September, the government’s Trade Towers plot. We see no reason why the government’s treason should ever be forgot. Steal this movie and see what you can make of V for Vendetta.

Regards,

Arch Stanton

~~~~~~~~~~~~~~~~~~~~~~~~~~~

Rape of Europe

From the desk of Paul Belien on Wed, 2006-10-25 20:57

The German author Henryk M. Broder recently told the Dutch newspaper De Volkskrant (12 October) that young Europeans who love freedom, better emigrate. Europe as we know it will no longer exist 20 years from now. Whilst sitting on a terrace in Berlin, Broder pointed to the other customers and the passers-by and said melancholically: “We are watching the world of yesterday.”

Europe is turning Muslim. As Broder is sixty years old he is not going to emigrate himself. “I am too old,” he said. However, he urged young people to get out and “move to Australia or New Zealand. That is the only option they have if they want to avoid the plagues that will turn the old continent uninhabitable.”

Many Germans and Dutch, apparently, did not wait for Broder’s advice. The number of emigrants leaving the Netherlands and Germany has already surpassed the number of immigrants moving in. One does not have to be prophetic to predict, like Henryk Broder, that Europe is becoming Islamic. Just consider the demographics. The number of Muslims in contemporary Europe is estimated to be 50 million. It is expected to double in twenty years. By 2025, one third of all European children will be born to Muslim families. Today Mohammed is already the most popular name for new-born boys in Brussels, Amsterdam, Rotterdam, and other major European cities.

Broder is convinced that the Europeans are not willing to oppose islamization. “The dominant ethos,” he told De Volkskrant, “is perfectly voiced by the stupid blonde woman author with whom I recently debated. She said that it is sometimes better to let yourself be raped than to risk serious injuries while resisting. She said it is sometimes better to avoid fighting than run the risk of death.”

In a recent op-ed piece in the Brussels newspaper De Standaard (23 October) the Dutch (gay and self-declared “humanist”) author Oscar Van den Boogaard refers to Broder’s interview. Van den Boogaard says that to him coping with the islamization of Europe is like “a process of mourning.” He is overwhelmed by a “feeling of sadness.” “I am not a warrior,” he says, “but who is? I have never learned to fight for my freedom. I was only good at enjoying it.”

As Tom Bethell wrote in this month’s American Spectator: “Just at the most basic level of demography the secular-humanist option is not working.” But there is more to it than the fact that non-religious people tend not to have as many children as religious people, because many of them prefer to “enjoy” freedom rather than renounce it for the sake of children. Secularists, it seems to me, are also less keen on fighting. Since they do not believe in an afterlife, this life is the only thing they have to lose. Hence they will rather accept submission than fight. Like the German feminist Broder referred to, they prefer to be raped than to resist.

“If faith collapses, civilization goes with it,” says Bethell. That is the real cause of the closing of civilization in Europe. Islamization is simply the consequence. The very word Islam means “submission” and the secularists have submitted already. Many Europeans have already become Muslims, though they do not realize it or do not want to admit it.

Some of the people I meet in the U.S. are particularly worried about the rise of anti-Semitism in Europe. They are correct when they fear that anti-Semitism is also on the rise among non-immigrant Europeans. The latter hate people with a fighting spirit. Contemporary anti-Semitism in Europe (at least when coming from native Europeans) is related to anti-Americanism. People who are not prepared to resist and are eager to submit, hate others who do not want to submit and are prepared to fight. They hate them because they are afraid that the latter will endanger their lives as well. In their
view everyone must submit.

This is why they have come to hate Israel and America so much, and the small band of European “islamophobes” who dare to talk about what they see happening around them. West Europeans have to choose between submission (islam) or death. I fear, like Broder, that they have chosen submission – just like in former days when they preferred to be red rather than dead.


  • 12 Responses to “Can You Smell the Jew?”

    1. alex Says:

      Bethell resents secularists for submitting to the muslim, rather than to the jew as good little christian cowards do. The Germans who fought were the nazis, and the weak trucklers now lamenting Europe’s demographic decline lack even the honesty to point out that under Hitler German spirit and birthrates were high.

      Remember that professional conservatism is a game, a way of making a living. Every syllable printed in a conservative publication is nothing but a printed wink.

      The jew runs things in America and Europe, and until that circumstance is changed, the bleeding will continue.

    2. Judith Says:

      Nah! I do smell whiners who project their moral and spiritual weaknesses off on everyone else.
      Namely you Alex……

    3. Thoughtcrime Says:

      I wouldn’t advocate seeing the movie; there was much Jewish ‘artistic license’ afoot, all of it bad. The graphic novel (written by Alan Moore of ‘Watchmen’ fame) on which it is based is a decent read for the most part, although you aren’t missing out on anything great by not reading it.

      My personal recommendation instead, is to either read or re-read 1984. It’s a much better portrayal overall. The book can probably be found online as well for free.

    4. Craig Cobb Says:

      Hey Judy, Judy, Judy– How many kids have you killed today?
      http://vnnforum.com/showthread.php?t=40445

    5. jimbo Says:

      HEY! ‘Judith’!….went to yr ‘blog’…… thnx for the ‘lnk’ to ‘The Day of the Rope!’….gunna add that one to my ‘favourites’…..BTW: how come YR ‘blog’ doesn’t hv a ‘content warning’……..?……….ohh……hang on!……i get it…..you just fax (jew)Google yr ADL & MOSSAD cheque stubs, right?!

    6. Bud White Says:

      To Judy Jew:

      In terms of a definition of a whiner, one merely would need to visit your used tampon of a website. I’m sure VNN will find away to ban your worthless jew ass, just the way Hal Turner did. Which reminds me, didn’t Turner post your address and phone # on his site?

    7. Arch Stanton Says:

      An attack by a jew! Wonderful! See you all in the new American gulag. As for 1984, I have said it many times before, this is not a work of fiction but a fictitious account of a very real plan. Orwell was a Fabian socialist. G. Edward Griffin has provided an excellent account of Beatrice and Sidney Webb’s involvement with the international bakers in his book, “The Creature From Jekyll Island”. I have no doubt that the Webbs were intimately connected with the House of Rothschild. Likewise, as a writer who at the time favored the jew’s concept of socialist revolution, I have no doubt that at some point Orwell was made privy to the Rothschild’s plan for the global world order we now face.

      Arc

    8. Orion14 Says:

      Haha a kikess accusing someone of having moral/spiritual weakness! LOL!

    9. MIKE KOVICH Says:

      BACK IN THE 1960’S, WHEN GEORGE LINCOLN ROCKWELL WAS AROUND, ONCE IN A WHILE HE WOULD SAY THAT, IN THE FUTURE IF THINGS DIDN’T GO RIGHT IN AMERICA, HE WOULD MOVE TO EITHER AUSTRAILIA OR SOUTH AFRICA….

    10. bryan o'driscoll Says:

      I must also thank the kikess for directing me to ‘Day of the Rope’. There’s some good stuff there. I like the song ‘we are all niggers’.
      Other than that I hope she ends up as grizzly bear food soon.

    11. jackumup Says:

      Smell the jew? My FUCKIN eyes are burning

    12. Mati The Estonian Says:

      to Arch Stanton: Sometimes ago I told here to people to watch this movie “V for Vendetta” and watch it carefully and many times. So I very glad someone did and find from there the same images I did – YOU cant opress people forever – they WILL stand up and fight – that was the main message I did get from that movie. When person realises “I must fight” – for himself for his children anything else does matter not anymore – just fight – for YOU, for you offspring and for you nation and for YOU RACE. People waking up and soon WE WILL give the jews and alike they very one november the fifth …

      PS: Just little link and news – there are Russian kids disapering again. Info is getting out from russian (state aka gov) militia – there are more and more patriots in this militia (Russian Police is called Milizia)
      http://www.jrbooksonline.com/schramm/schramm.htm
      http://judicial-inc.biz/Grimes.htm
      http://judicial-inc.biz/mendel_beilis.htm