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This remarkable painting, called “Cloister Cemetery in the Snow” by Caspar David Friedrich, no longer exists. It was destroyed by the allied bombing of Germany during World War II (click on the image to enlarge it).
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28 December, 2009 at 12:15 am
I once had a book of poems or short stories by Goethe and this painting was on the cover. It was done in 1810, at the height of the “Romantic” period in painting. How ironic that a painting that deals with death and ruin should itself be destroyed. Well, it’s sort of ironic, I think. Damn Jews.
28 December, 2009 at 5:42 am
Does Nature imitate art? That elegiac scene accurately depicts the present spiritual condition of Europe. The jew winter can’t last, an Aryan spring is coming.
28 December, 2009 at 8:53 pm
What an absolutely fascinating photo, this needs to be seen. Is there some way I can get a paper copy from the original, I’d love to frame it Respectfully
29 December, 2009 at 7:27 pm
Is this from a painted copy of the original? A photograph?
A lot of beautiful, irreplaceable art and artifacts were destroyed when ZOG attacked Iraq. Saddam Hussein had put a lot of money and resources into preserving and restoring them.
Amazing all the priceless objects the world has lost to jewish wars when you think about it.
31 December, 2009 at 1:51 am
@Igor:
With the coming Aryanization and Jewish extermination program, art will again find its due, and will replace the works destroyed. All will be painted by blue eyed genii with Nordic spirits.
If you want to see what art would be like without Jewish influence, look at some of the contemporary painters in the far east. They are very, very adept, and some of the best artists I have seen from the last 10 years have been Chinese, and I went to art high school in New York City, so there were a few. The same goes for violinists, and conductors, and what not. Of course, they are stiff, and lack true spirit, but they seem immune to Jewish influence and have objective senses of beauty while Irish gals I know are splashing red paint on canvases and making pictures of abortions. The chinks are picking up the slack, for now. Of course, that doesn’t mean they can stay.
31 December, 2009 at 3:36 am
I cannot imagine any non-White artist painting a picture that can portray the inner beauty of death, ruin and decay like the featured painting does. That’s the Aryan artistic sensibility at work. Aryan artists find beauty everywhere and can express it in many ways, whereas non-White artists are by contrast repetetive and uninspired. If you look at Roman art after the mid 4th Century, it becomes like that, ie, very Christian, Byzantine and Oriental, replacing the natural, graceful beauty of the pagan Classical period.