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not surprised

I must respectfully disagree with Tim McGreen on the Hollywood Production Code issue.

Unless and until Whites in America, and in every other White Western nation, decide to take the long overdue steps to remove jews from any and all involvement in the mass media and entertainment industry – and I am talking here about a complete and total purge from top to bottom – jews will continue to use their media control to subvert, demonize, ridicule and destroy White culture and the white race by pushing race mixing and every other conceivable form of destructive degeneracy imaginable. They’ll also continue to use their media control to intimidate our politicians and to threaten to ruin their careers if they step one inch out of line with the anti-white jewish agenda.

When the Production Code was in effect, the shackles it placed on the media jews at least helped to slow down a sizable amount of that anti-white agenda, although when I watch pre-1968 movies, I can still pick up many subliminal anti-white themes in their scripts.

Post 1968, however, the “artistic, political and creative expression ” that Tim claims was stifled – has translated into turning the jews loose to openly push their rabid anti-white hatred and to deliberately incite non-whites to commit violence against whites (movies like Roots, Machete, etc.), and at the same time brainwashing our women to crawl into bed with blacks.

Hence, this enemy has to be contained in some way and not allowed to set their own rules of conduct and standards good taste – of which, they have none. All these people have is venom and raw hatred for the White race.

Right off the bat, I can think of two movies made during the Code era starring Gregory Peck that were supposed to be great films but in reality were just anti-White propaganda: “Gentlemens’ Agreement”(1947) and “To Kill a Mockingbird” (1962). “Twelve Angry Men”(1957) was also pushing a liberal Jewish agenda, using Henry Fonda as a front to do it. And James Dean’s last film, “Giant” (1957) likewise had a race-mixing message thrown into it.

True, the Hebrewood Jews were forced to operate under constraints back then, but that didn’t stop them from churning out lots of pro-WWII agitation movies, like “Sergeant York”(1941) or even a Holohoax flick or two, like “The Diary of Anne Frank”(1959), etc, etc, etc.

So you see, the Jews managed quite well to use the Code to their advantage. The Code was used to help get the U.S. into WWII, end the death penalty for capital crimes, promote racial “tolerance” and lots of other Jewish poison, all under the guise of wholsome entertainment. But since the Code has been lifted the Jew’s mask of decency has been pulled off of his scaly reptilian head.

The Hollywood Production Code was, unintentionally, helping to promote Jewish subversion, not control it. Watch out for Christian do-gooders and their campaigns against smut, alcohol, drugs, etc. Those self-righteous assholes always create more problems than they attempt to solve with their “moral activism”.

Newly declassified KGB and soviet documents show that McCarthy was right. Many Hollywood and New York joos were heavily involved in communism, spying and subversion.

they had to work a lot harder wbw. now it is just too easy. but lo and behold… most moneymakers really arent the jews’ pride and joy.

i’d lay off caviezel too. he isnt perfect. he got sucked into some jew bs.

what they are doing to him still isnt right.

Actually, the Hollywood Production Code ended in 1966 and was replaced with a movie ratings system in 1968, which consisted of G, PG, M and X ratings. Midnight Cowboy was rated X when it was released in 1969, but it would barely qualify for a PG-13 rating by today’s standards. Ditto for Last Tango in Paris (1972).

Boycott Jew media.

There have certainly been a lot of jew garbage foisted upon the American White public since the beginning of Hollywood but there have also been a lot of great movies showing great White values, lifestyle, culture, and people. What’s even more amazing is that this managed to come through despite the fact that jews were everywhere in Hollywood.

What we must remember is that since the jews wormed their way into all aspects of American White life, nothing has been the same or what it would have been had the jew not been involved. We will never know what America would have become had the jew not been allowed to infiltrate our country and culture. But we can certainly imagine how great we would be now if we hadn’t had to contend with the jews, niggers, or other third world garbage foisted upon us.

I suspect that life without jews, niggers, or any third world garbage would still be nothing short of paradise, kinda like what life was before the nigger and the third world were unleashed upon us in the fifties and sixties in this country. Had the jew not unleashed the nigger and other third worlders on us, we probably could have survived and still be a mostly White country.

But adding the third world into our country and culture doomed us. No country can overcome the horror of having the third world unleashed upon it.