29 May, 2011

The War on the English: A Case Study in the Culture of Critique, Part 1

Posted by Socrates in Britain, dispossession & destruction, England, jewed culture, multiculturalism, Socrates at 6:34 pm | Permanent Link

by Brenton Sanderson.

[...]

“The apparent concern is not that Midsomer Murders is inaccurate in its portrayal of the typical rural English village – which, to the dismay of many, are still overwhelming white – but rather that the program constitutes, in some sense, a ‘celebration’ of this fact, and by extension, exploits a nostalgia and yearning for England as it was prior to mass Third World immigration and state-sponsored multiculturalism.”

[Article].


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    6. 2 Responses to “The War on the English: A Case Study in the Culture of Critique, Part 1”

      1. CW-2 Says:

        Even though the village of Midsomer appears to have an extraordinarily high murder rate, I would consider living there as it is 100% White. There are no black rapists breaking in through unlocked windows or Paki drug dealers selling stuff outside the schoolgates. The only victims of crime appear to be retired colonels who are about to write their wayward nephews out of a will. All very gentile but unfortunately wildly different from the multiculti hellhole that is contemporary Britain.

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      2. Tim McGreen Says:

        Does anyone under the age of 75 watch Midsomer Murders? A show like that would never fly on commercial American TV because it doesn’t skew towards the almighty 12 to 25 age group of viewers. What? No cast featuring a “hot” mixed-race chick, a brooding Johnny Depp type character who’s secretly a vampire or a “cool” jive-talking Black guy who can bust a move as easily as he can bust a rhyme? Why, it doesn’t even have any teenage witches or Jewel singing in the background! Nope, it would never fly.

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