31 January, 2020

Genuine Country Music Vanished When Nashville Became Jewed

Posted by Socrates in America, America the White nation, country music, country music today, jewed culture, jewed music, Socrates at 1:02 pm | Permanent Link

I haven’t heard a traditional country song come out of Nashville since about 1988 [1]. Today’s so-called “country music” — with its heavy drums and power-chording, tattooed guitarists — sounds more like rock-n-roll than country. (Which is sad, because country music was uniquely American. They didn’t play it in England or Sweden or France).

[Article].

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[1] traditional = in the style of George Jones, Tom T. Hall, Merle Haggard, etc.


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  7. One Response to “Genuine Country Music Vanished When Nashville Became Jewed”

    1. Luke Says:

      This is an example of how diabolically evil and pathologically obsessed the jews are in their hatred for White Americans. And, at the top of that hate list, White Southerners are who jews hate most.

      The jews will survey White society and look for things that they know Whites love and which Whites naturally dominate – and they become consumed with a maniacal lust to do everything they possibly can to destroy whatever ‘thing’ that might be. C&W music – the traditional and normal kind – has always been hugely popular among White Americans, and particularly by White Southerners. For this reason, jews became obsessed with destroying it and taking something that gave Whites tremendous enjoyment away from them.

      I think this agenda probably got started when the jew Sumner Redstone, a.k.a, Murray Rothstein, bought CMT TV and then the jews started swarming into Nashville and gained control over the entire industry and then had the ability to push out the older traditional C&W talent and refuse to award any record label contracts to any new traditional talent that was springing up.

      I can’t remember the last time I turned on a radio and tuned into any of the phony C&W radio stations in my area. All they play are no-talent losers who are trying to bleat out this ‘country rap bullshit’, which I cannot stand anymore than I can tolerate neegrow rap garbage.

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