Archive for the 'rock music' Category

9 August, 2019

Posted by Socrates in rock music, Socrates at 5:36 pm | Permanent Link

Before John Bonham, there was Ginger Baker: [Drum solo; duration is 10 minutes].

17 April, 2019

Posted by Socrates in 'anti-Semitism', jewed culture, jewed law, rock music, Socrates at 12:47 pm | Permanent Link

In this interesting video, rock singer Ozzy Osbourne says he wanted to be a lawyer when he was young, but his “nose is too small.” Well! Hmmmm! Wonder what he meant by that! (By the way, I’m a fan of Ozzy and the original Black Sabbath rock band). [Video]. [you can close-caption the dialogue; location […]

21 January, 2019

Posted by Socrates in jewed culture, jewed music, Jewish arrogance, Jewish behavior versus White behavior, Jewish brain features, music, rock music, rock music industry, Socrates at 4:54 pm | Permanent Link

I’ve seen/heard many interviews of Jewish musical “icons.” Most of the time, they come across as arrogant creeps, and this interview is no exception. Here, the late Jewish homosexual/drug addict, rock singer Lou Reed (his real family name was Rabinowitz), did say one thing that was good: “Prejudice is when it’s not true.” Yes, that’s […]

31 December, 2018

Posted by Socrates in rock music, Socrates at 9:00 pm | Permanent Link

Jeepers. Ballsy rock and roll. No synthesizers here. This music will scare children and old ladies. Singer/bassist Lemmy had two settings: loud, and louder. [Video; duration 1 hour, 15 minutes].

3 November, 2018

Posted by Socrates in rock music, Socrates, White music at 4:48 pm | Permanent Link

Lyrics: “Meet the new boss, Same as the old boss” Yeah. Anyway, love John Entwistle’s bass. When turned up, this song sounds like thunder, pretty heavy stuff (they always played very loud), and, a great laser show at the end. [Video].

13 September, 2018

Posted by Socrates in jewed culture, jewed media, jewed music, music, pop culture, pop culture vs. real culture, rock music, rock music industry, Socrates at 4:50 pm | Permanent Link

How come music from 1974 sounds good but music from 2013 sounds like shit? Well, basically, there’s no artistry or originality in today’s music, e.g., the sequences of the notes are nearly the same in every song; modern musical “compression” makes all the songs sound muddy and too dense, and lyrics repeat themselves endlessly; also, […]

24 January, 2018

Posted by Socrates in populism, rock music, Socrates, Trump, Trump's policies, Trumpphobia at 3:10 pm | Permanent Link

(This article is from July 2017, but it’s kinda interesting nonetheless). All sorts of people like Donald Trump, which is what scares the Jews: populism is a very big tent under which lots of people can find refuge. [Article]. (Re: the band X: their 1981 album “Wild Gift” was named best rock album of the […]

27 September, 2017

Posted by Socrates in ancient Greece, Frankfurt School, frauds, Freud, jewed culture, jewed music, pop culture, rock music, Sigmund Freud, Socrates at 11:54 am | Permanent Link

(Above: Jim Morrison singing with The Doors circa 1968) The ancient Greeks first gave the world the “Oedipus complex” (kind of/sort of), but in the Greek play, the “complex” wasn’t shown as a “complex” at all and it was very different in context from Freud’s later version of it [1]. Freud’s “Oedipus complex” amounts to: […]

18 September, 2017

Posted by Socrates in counterculture, hippies, jewed culture, Jewed philosophy, jewed politics, Marcuse, media, media control, music, rock music, rock music industry, Rolling Stone, Sixties, Socrates at 1:46 pm | Permanent Link

Rolling Stone was a “counterculture bible for baby boomers.” Yep, that’s right. It’s impossible to tell how many young White people were influenced by that magazine (which was founded in 1967 by Jewish publisher and Berkeley Free Speech activist Jann Wenner), but you can bet that the number is in the tens of millions. It […]

9 June, 2016

Posted by Socrates in country music, country music today, jewed culture, jewed music, rock music, Socrates, Western civilization, Western culture, Western decline, White identity, White music at 9:59 am | Permanent Link

Country music was a unique, regional thing, with its own sound and its own sub-culture. Unlike the heavily-Black roots of rock music (e.g., Muddy Waters, Ike Turner, Chuck Berry), the roots of country music were White [1]. Country music was formerly known as hillbilly music. But today, “country” music is just another commodity for the […]