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Movie Review: 'Matrix: Revolutions'
by Kevin Perrell
7 November 2003
First off, I saw this movie hoping that the second installment of the "Matrix"
trilogy, "Reloaded," was just a fluke, kind of the proverbial dip in an
otherwise high-riding series. Needless to say, I was disappointed overall in
"Reloaded" because with the exception of a few key scenes it totally lacked
the philosopical and thought-provoking depth the the original "Matrix"
possessed. Was all just computer-enhanced fight scenes and a kick-ass
car/motorcycle chase, but how many fight and chase scenes can you see in a
lifetime without it losing its appeal, no matter the computer technology
involved? They were so elaborate that they almost ceased being fight scenes
and chases, more about how far computer graphics and movie tech have
come. Pretty much the same thing to expect in "Revolutions."...
Without giving anything major away, "Revolutions" pretty much left off where
"Reloaded" ended. The beginning was promising as there was a new 'character'
or entity is more appropriate (i.e. computer program), the Train Master. The
human form of this program was played by the famous Australian actor who you
will remember from "Road Warrior" and "Beyond Thunderdom," the gyro master.
This concept had a lot of promise. Train Master basically ran a world in
between 'the real world' (Zionlike) and the 'fake world' (the matrix
world). He was able to take things (programs or files I guess) in between
the two. Interesting. Doesn't this open up many possibilites to elaborate on in
the philosophical sense with regard to the original concept of the matrix?
Ok, but the movie did not really go anywhere with them. Now we are back on
Zion where most of the movie takes place. Again, it all becomes a whirlwind
of machines attacking Zion and the humans doing their best to fight back
against impossible odds. Yes, but the humans have Neo and well, Neo turns
the tables on the rogue program, Agent Smith, and cuts a deal -- this is very
key as there is a preview that this will be happening, watch the scene with
the Merovingian at the beginning -- with the all-powering machines since the
program Agent Smith is out of control....
The movie does shore up some loose ends with regard to Neo's purpose and the love story between Trinity and Neo. I guess once you are 'free' from the Matrix you can feel emotions that otherwise are false and unreal. Agent Smith mentions this....
Overall, Neo gets his ass kicked by Smith, Smith penetrates Zion for a time,
Trinity and Neo are in love, and the machines attack Zion and almost destroy
it, but then again Neo has that purpose and in a way, he is continuing the
cycle....that will make sense at the end when you see the film.
Now, from the all-important racial perspective, this movie really has some
metaphors and will only hasten to legitimize multiculturalism for the
masses. It really sucks in this respect. For starters, as in "Reloaded," "Revolutions" portrays Zion as a mostly negroid, infested dark shithole, with all sorts of the color brown well represented. The movie features three niggers or other nonwhites, usually Asian, for every White. With the exception of Neo, Trinity, a captain, some elders on the Zion council,the Train Master, the Merovingian, a short red-headed woman who gets knifed by Agent Smith, and a couple of other White Zion commoners, there are no other Whites in this movie!
Zion has loads of niggers, both male and female, leaders, grunts, a few
Asiatics and that's it. The muds come in a variety of shades, many are
leaders in the human crusade and have no problem putting Whitey in his
place.
The only nigger character that I ever got used to in the "Matrix" was
Fishbourne's Morpheus. At first, he was just the wise, knowing,
philosophical coffee-shop techie nig, then he just became annoying.
Zion is without a doubt nigged out - there's groids all over the place.
They fight back with tenacity and courage and can really pilot the ships.
(jew translation: niggers are brave, great fighters, never back down, can
drive machines, are intelligent and should always be respected.)
Oracle is another character portrayed by a nig. This time it's a sweet, soft-spoken, chain smoking, all wise, full-of-philosophical-riddles elder
nigress. I like the concept of the oracle as it fits in nicely with the
story, basically a good side of the force who can help guide Neo and other
free humans in their fight with the machines and evil programs that wish to
enslave and destroy them.
Now the metaphor here is that the all-knowing, calm and wise Oracle can
guide you with wisdom and insight in a sometimes turbulent and dangerous
new world. (Jew translation: older black negresses are mammy-like, have that
plantation wisdom, speak from the heart and should be listened to, plus
don't fuck with them as the oracle is impossible to beat. Oracle always
outsmarts you in the end. The oracle character is played by an Aunt Jemima-like nig who has that sweet but powerful air, full of wisdom and
experience. How on earth could a white person play this role, thinks jew
Hollywood.)
KEVIN PERRELL
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