5 December, 2006

The Rise of Cuntry

Posted by alex in Alex Linder, country music, country music today, Cuntry, jewed culture at 7:29 pm | Permanent Link

Cuntry is traditional Country & Western filtered through the jew. Shorn of traditional attitudes and remade in politically correct, multicultural mode. In Cuntry, niggers and mexicans are always welcome, and the big woman is never wrong.

Cuntry is performed by the same good ol’ boys, only now they’re dressed by jews and perfumed by poofters.

“Some People Change” by duo Montgomery Gentry is typical of the Cuntry genre. It’s country-against-racism in theme. The proud old ways and attitudes are abandoned as “hate,” perfectly in line with the going line, as set by the ADL, whose goal is to have the same message coming from a thousand different mouths.

“Some People Change” was recorded first by Kenny Chesney, so this isn’t even its first go-round.

Following gives some lyrics and information about the writers.

Since the release of Tattoos & Scars in 1999, Eddie Montgomery and Troy Gentry have been making consistently fine country-rock records and videos (the latter thanks in large part to the wonderful director Trey Fanjoy). While their albums translate to CMT and GAC — and of course to the Billboard charts — the duo has never been comfortable making one kind of recording. They dig deep with their producers — in this case Mark Wright is primary — to find the best songs and let them rip. Guitars roar, wail, and whisper, and Montgomery Gentry‘s wonderfully contrasting voices and passionate, down-home delivery tie them to the great traditions of both rock and country. They’ve consistently sent out a message of tolerance — but they demanded to be tolerated as well. (Do we ever need that message in a nation as deeply divided as the United States in 2006.) Each successive album has been a hit, and deservedly so. Some People Change, however, is a step above.

These two fellas have a way with a song. Kenny Chesney was the first to record the wonderful “Some People Change” by Michael Dulaney/Jason Sellers/Neil Thrasher. Given that it’s a great song, nobody could do a bad job with it, and Chesney‘s was better than decent. But it simply turns to gray in lieu of the treatment given it by Montgomery Gentry, with a blend of acoustic and electric guitars that wind together before Montgomery‘s deep baritone lays out the contrast in the lyric: “His ole man was a rebel yeller/Bad boy to the bone, he’d say/Can’t trust that feller/He’d judge ’em by the tone/Of their skin….” A wah-wah peddle floats atmospherically and a synth slips in gently and Montgomery continues: “He was raised to think like his dad/Narrow mind, fulla hate/On the road to nowhere fast/Until the grace of God got in the way/And he saw the light and hit his knees and cried and said a prayer/Rose up a brand new man and left the old one right there….” The guitars build to an almost unbearable tension and finally break with a B-3 announcing Gentry‘s arrival on the refrain, which is an anthem: “Here’s to the strong/Thanks to the brave/Don’t give up hope/Some people change/Against all odds/Against the grain/Love finds a way/Some people change….” Simply put, the song addresses race, class, religion, and (later) addiction, as well as hope, tolerance, and the willingness to believe redemption is possible in any situation. When was the last time a country recording addressed topics like this in a single tune that opened an album? When a gospel choir enters near the end to join the pair on the refrain with soloing guitars and tight, clipped drums, it becomes transcendent. It’s one of those tunes that defines something that lies at the heart of what is good about Americans. True to form, however, Montgomery Gentry aren’t about to have their music co-opted by anybody — left or right — and the very next cut, “Hey Country,” quotes from Lynyrd Skynyrd, Hank Jr., Marshall Tucker, funk, and hip-hop, and is a true redneck rabble-rouser. Killer metal guitars, banjos, funky basslines, and chanted choruses all war with each other and finally come to an equal level to make this the best tune that’s never been on rock & roll radio. “Lucky Man” is a pure country song, and it updates “I Ain’t Got It All That Bad” from You Do Your Thing. Its protagonist — Montgomery in this case — is older, wiser, and even more grateful. Here again, it’s a message tune, but one that is poignant no matter what color collar you wear, whether or not you support the President of the United States, and whatever religion you choose — including none at all.

In other words, it’s everything to everybody, and nothing specific, nothing demarcated. Just pablum put out by people afraid to take a position.

When was the last time a country recording addressed topics like this in a single tune that opened an album?

Better ask, which Cuntry singer hasn’t rocked against racism? Hasn’t celebrated “tolerance”? Hasn’t incorporated niggers into its videos? Doesn’t pretend we can all just get along?

Bit more on the song/writers:

Chesney cut Michael Dulaney-Jason Sellers-Neil Thrasher penned Some People Change – a new south reflection.

Not dramatic as Mark David Manders Klan parody Three Sheets To The Wind but likely to be heard by millions more.

Gentry and bud claim they don’t try to candy-coat anything.

Redder Than That” cranks the volume a notch or two. It’s a high school reunion song. The song’s message is simple: people don’t really change much, despite the years. They really are who they really were. Marital merriment comes with “A Man’s Job”. Watching a romantic dalliance from the losing husband’s perspective, the tune is comical; but you can’t help grasp the truth of familiar suburban secrets of older women and keen, younger men.

In their world rednecks exist, but niggers don’t. Just how the jews see it. You might think that rednecks and jews would see things differently, but that’s just your prejudice doing your thinking for you.

I remain unaware of any true country music in which the experience of, say, the White humans forcibly integrated with niggers is reflected. Or the White man who’s had his kids stolen from him by an evil woman working with a corrupt jewish family court judge.

Some people change, and some people don’t.

The sellout be with us always.

  • 48 Responses to “The Rise of Cuntry”

    1. Wade Thalweg Says:

      Just got a replacement MP3 player. I know, I know more gook-tooled plastic shit, but I got it to listen to VNN at work. Gee, I accidently deleated all Cuntry from said player along with preloaded nigger hip hop, making lebenraum for Goyfire, ADV, and FTL.

    2. MIKE CROCKETT Says:

      i expect that brad paisley and many more are Jew. i guess i never realized it but country has become cuntry as i do hear attacks on Whites at the concerts i go to.
      montgomery gentry push alcohol while on stage as they are
      financed by jim beam and other alcohol vendors.

    3. Jackumup Says:

      there are a lot of people that started listening to country in order to avoid the Jew sponsored nigger infested music world and now that is being whored by talentless white jew ass kissers that will fade like a nigger boxers money to oblivion however this will set a demand for a underground movement insuring that a higher standard of music will prevail

    4. Carpenter Says:

      I wonder how many people have realized that you don’t actually have to listen to music. When people ask me what kind of music I listen to, and I say none, they act as if I’m crazy. I think the same about them. It’s just entertainment! It’s stimulating your brain because you don’t have enough work to fill your waking hours, like your ancestors had.

      Now, I do have some music at home. Several CDs, in fact, and a couple of hundred downloaded songs. But they are from all over the spectrum, like Puttin’ on the Ritz, Mozart’s Moonlight Sonata, Evanescence, Randy Travis, Thomas O’Malley Cat from Aristocats, Saga, Margaritaville, and Moonlight Shadow with Maggie Reilly. Songs and singers from here and there. You don’t have to follow any fashion or category. It’s just music, for God’s sake! It’s not important!

      Pay money for a concert? What am I, crazy? Do I have such a craving to satisfy my herd instinct? I don’t have a herd instinct.

    5. Stan Sikorski Says:

      Didn’t Chesney just get out of rehab?

    6. LUX Says:

      Social control is the function of the Nashville music industry, even to the expense of greater profits to be had by catering to true White taste.

      “Nashville Country” basically means less than 5 recording labels and they all are mortgaged to Rothschild and dare not go over the Big jew’s line.

      More and more of the musician, songwriter, producer and concert promoter underlings are resentfully aware of this and in a very explicit manner.

    7. alex Says:

      Right, Lux. Cuntry’s just anothe division in the recording arm of some conglomerate.

      Carpenter’s right, and I’m the same these days, I just don’t listen to any, except when on the road.

      Clear to me that country has been semitized for jews’ protection. That means, to the extent its political, it serves the jews, whether promoting anti-masculinism (woman is never wrong) or let’s kick ass (israel-first foreign policy). Result is too perfect music sung by actor-policiticians. All feels simulated, kind of like electronic drugs like. Crit of rock is that its unearned emotional high, and that fits country too.

    8. Schlomo ben Jewhadi Says:

      Shout out for my boy, Kinky “The Koshernator” Friedman!

      Eat him up, Goyls!!

    9. Timothy Says:

      CMT is like MTV and VHI with models wearing cowboy hats and shitkicker boots. CMT even has its own negritude show “Trick My Truck”,the fake good ol’ boy version of Pimp My Ride.

      The patriotard,let’s-get-dem-damn-MOOslums crapola farted out by the likes of Toby Keith and Darrel Worley really saturated the channel after 9/11. In fact,I think Worley is trying to make a career out of 9/11 related songs,LOL.

      What a sad,ridiculous spectacle this country has become. Whitey has become the butt of a very cruel joke and the typical middle-American,Republican-voting,CMT tv watching dolt is too dense to ever realize it.

    10. Schlomo ben Jewhadi Says:

      … Hold up y’all!


      Kinky, show ’em your street creds –

      The Texas chapter of the NAACP asked comedian and independent gubernatorial candidate Kinky Friedman on Friday to apologize for using a racial slur during a 1980 nightclub act in Houston. […] On Thursday, a left-leaning political Web site posted an audio clip of Friedman telling a joke at a nightclub in 1980 in which he used the n-word.



      Kinky, show em y’all knowd how to treat a Shiksa –




    11. Timothy Says:

      Montgomery and Gentry’s album should have been entitled:We’re two cunts who whored out our KY-greased assholes for a fistful of shekels Vol.1.

    12. lawrence dennis Says:

      I was in a convenience store yesterday and today. Both times the music playing in the store contained lyrics like “love is the answer” and “love is all you need,” etc. Basically the word ‘love’ has been redefined to mean either ‘sex’ or anti-“hate.” Whatever once was creative about white American popular culture, it is all of it now, in every facet, a multi-dimensional propaganda charade of Jew-mandated anti-white one-worldism.

    13. alex Says:

      Cuntry songs:


      Artist : Martina Mcbride
      Song : Independence Day

      Well she seemed alright by dawn’s early light
      Though she looked a lil worried and weak
      She tried to pretend he wasn’t drinking again
      But Daddy left the proof on her cheek

      [white dad as drunk and child abuser]

      And I was only eight years old that summer
      And I always seemed to be in the way
      So I took myself down to the fair in town
      On Independence Day…

      [female liberation from male tyranny]

      Well, word gets around in a small, small town
      They said he was a dangerous man
      But Momma was proud, and she stood her ground
      She knew she was on the losin’ end
      Some folks whispered, some folks talked
      But everybody looked the other way
      And when time ran out there was no one about
      On Independence Day…

      Let freedom ring
      Let the white dove sing
      Let the whole world know that today is the day of a reckoning
      Let the weak be strong
      Let the right be wrong
      Roll the stone away
      Let the guilty pay
      It’s Independence Day

      Well, she lit up the sky that Fourth of July
      By the time that the firemen come
      They just put out the flames and took down some names
      and sent me to the county home
      Now I ain’t sayin’ it’s right, or it’s wrong
      But maybe it’s the only way
      Talk about your revolution
      It’s Independence Day…

      Let freedom ring
      Let the white dove sing
      Let the whole world know that today is the day of a reckoning
      Let the weak be strong
      Let the right be wrong
      Roll the stone away
      let the guilty pay
      It’s Independence Day

      Roll the stone away…

      [strong women escaping the men who abuse them, plays into the whole abused-woman industry, with its taxes and ‘safe houses’

      ignore the fact that women are as likely as men to beat up their spouse, and likelier to physically abuse their kids. you’ll grow old and waiting for a Cuntry song about a mother abusing her kid, becaues in Cuntry, wimmen are always right]


      Love’s The Only House Lyrics
      Artist:Martina McBride

      I was standing in the grocery store line
      The one they marked express
      When this woman came through with about 25 things
      And I said don’t you know that more is less
      She said this world is moving so fast
      But I just get more behind with every day
      And every morning when I make my coffee
      I can’t believe my life’s turned out this way
      All I could say was

      Love’s the only house big enough for all the pain in the world
      Love’s the only house big enough for all the pain

      [jeboo bullshit]

      He was walking by the other day and I said
      Hey baby how you been?
      Yeah I got me a little girl now and she’s 4 years old
      And she’s got her daddy’s little grin
      And you only want what you can’t have
      And baby you can’t have me now
      I gave my heart to another
      Yeah I’m a mother and he’s a father and we’re a family
      And we’ve got each other
      And I found out the hard way that

      Love’s the only house big enough for all the pain in the world
      Love’s the only house big enough for all the pain


      You drive three miles from all this prosperity
      Down across the river and you see a ghetto there
      And we got children walking around with guns
      And they got knives with drugs and pain to spare
      And here I am in my clean, white shirt
      With a little money in my pocket and a nice warm home
      And we got teenagers walkin’ around in a culture of darkness
      Livin’ together alone, and all I can say is

      Love’s the only house big enough for all the pain in the world
      Love’s the only house big enough for all the pain

      And I can’t explain it and I can’t understand
      But I’ll come down and get my hands dirty and together we’ll make a stand
      Somewhere cross the parking lot some bands playin out of tune
      City streets are gonna burn if we don’t do something soon
      And senorita can’t quit cryin, baby’s due now any day
      Don Juan left, got sick of tryin

      [white man responsible for nigger/mestizo problems – the ever-present while-guilt meme]

      No one there to show him the way she came down to the grocery store and
      She said I, I wanna buy a little carton of milk but I don’t have any money
      I said hey I’ll cover you honey cause the pain’s gotta go somewhere
      Yeah the pain’s gotta go someplace
      So come on down to my house
      Don’t you know that

      Love’s the only house big enough for all the pain in the world
      Love’s the only house big enough for all the pain


      artist: Big ‘n’ Rich
      album: horse of a different color [get it?]

      Well, I walk into the room
      Passing out hundred dollar bills
      [gangsta meme]

      And it kills and it thrills like the horns on my Silverado grill
      And I buy the bar a double round of crown
      And everybody’s getting down
      An’ this town ain’t never gonna be the same.

      Cause I saddle up my horse
      and I ride into the city
      I make a lot of noise
      Cause the girls
      They are so pretty
      Riding up and down Broadway
      on my old stud Leroy
      And the girls say
      Save a horse, ride a cowboy.
      Everybody says
      Save a horse, Ride a cowboy
      [promiscuity meme]

      Well I don’t give a dang about nothing
      I’m singing and Bling-Blinging
      While the girls are drinking
      Long necks down!
      And I wouldn’t trade ol’ Leroy
      or my Chevrolet for your Escalade
      Or your freak parade
      I’m the only John Wayne left in this town

      [mixing memes from nigs and old west, trying to be all things to all listeners]

      And I saddle up my horse
      and I ride into the city
      I make a lot of noise
      Cause the girls
      They are so pretty
      Riding up and down Broadway
      on my old stud Leroy
      And the girls say
      Save a horse, ride a cowboy.
      Everybody says
      Save a horse, Ride a cowboy

      I’m a thourough-bred
      that’s what she said
      in the back of my truck bed
      As I was gettin’ buzzed on suds
      Out on some back country road.
      We where flying high
      Fine as wine, having ourselves a big and rich time
      And I was going, just about as far as she’d let me go.
      But her evaluation
      of my cowboy reputation
      Had me begging for salvation
      all night long
      So I took her out giggin frogs
      Introduced her to my old bird dog
      And sang her every Wilie Nelson song I could think of

      And we made love
      And I saddled up my horse
      and I ride into the city
      I make a lot of noise
      Cause the girls
      They are so pretty
      Riding up and down Broadway
      on my old stud Leroy
      And the girls say
      Save a horse, ride a cowboy.
      Everybody says
      Save a horse, Ride a cowboy

      What? What? [nigger rap call]
      Save A Horse Ride A Cowboy
      Everybody says
      Save a Horse Ride a cowboy.


      “Comin’ To Your City”

      Well we’re comin to your city
      Gonna play our guitars and sing you a country song
      We’ll all be flyin higher than a jet air liner
      And if you want a little bang in your ying yang come along

      Well we flew through Cincinnati
      And we all got really happy
      Grabbed a bowl of that Skyline Chili along the way
      Then we rolled on into Canton
      Scared the hell out of Marilyn Manson
      And the party started happenin
      Hey hey hey

      Then in the middle of a Charleston night
      We ran into Jesco White
      And a little moonshine got us right plum smacked insane


      Well we broke down in Greenville
      In the middle of a hayfield
      But a Bud Light truck pulled up and helped us out

      So we then headed up to Philly
      Partied down like real hillbillies
      Brought the Music Mafia
      And rocked it out

      And Chippewa’s where we go
      When we’re up in Buffalo
      Don’t you know those yankees drink enough to DROWN


      Listen up
      Now LA’s got the freaks
      At Pink’s and 15 dollar drinks
      And San Antonio was a wild wild rodeo

      And then Phoenix, Arizona
      We drank way too much Corona
      And we woke up by the river
      In Jeff City, MO


      Yeah, yeah
      We’re comin to your city
      We’re gonna play our guitars and sing you a country song
      We’ll all be flyin higher than a jet air liner
      And if you want a little bang in your ying yang
      If you wanna little zing in your zang zang
      If you wanna little ting in your tang tang
      Come along, come along, come along, come along

      Yeah, we’re comin to your city

      [grab-bag nothing/everything song to accompany mass market lite beer. Cuntry songs, when not promoting specific agenda items, aim at complete inoffensiveness, so as a not to affect the “take,” the same reason for including nods to as many sub-sectors as possible.]


      artist: Big ‘n’ Rich

      [never heard this one, may not be played on radio, but read the lyrics.]

      “20 Margaritas”

      There’s a boy named Billy
      He’s from up there in Virginia
      He makes that lightnin’ holler in them hills
      He’s got a recipe handed down from his pappy
      In a shiny 50-gallon copper still
      There’s a boy name Jose
      Makes the best guacamole
      And the hottest hot tamales in the land
      He knows how to grow habeneros
      And he plays in the mariachi band

      [i dont know how it could be made any clearer than that Cuntry is just politics by other means. It is organized to get white to accept the race-blended NWO the elite are building. It is the opposite of organic expression of aesthetic reaction to experience. It is a manufactured earspam.]


      I’ll trade you 20 Margaritas for your moonshine
      ‘Cause I like to have a party all the time
      I’ll trade you 20 margaritas for your moonshine
      ‘Cause I hear that stuff can really blow your mind

      When Jose met Billy he was tequila crazy
      In a honky tok getting cowboy drunk on a moonlight starry night
      Jose said, “Billy we ought to have us a party
      ANd invite all them senoritas and just watch that full moon shine”


      Now Jose and Billy became the best of buddies
      And rasied a lot of hell around the world
      But they’ll never drink and drive cause they wanna stay alive
      And have time to kiss all the lovely girls


      Oh I hear that stuff can really blow your mind

      [NWO brought about through groinal unity. No one would even think to write such a ridiculous song save it were the only sort of song that might be released.]



      artist: Big & Rich

      Well I got a girlfriend, her name is Maria
      Sexy, spicy hot senorita
      She like to two-step, she like to mambo
      Heats it up like a Texas jalapeno
      Jalapeno Man

      [Just one verse from this one – probably 1/2 of BR songs overtly involve mexicans, or suck up to that market]


      artist: Big & Rich

      [this is kinda their anthem]

      “Rollin’ (The Ballad Of Big & Rich)”

      Brother and sisters
      We are here for one reason
      And one reason alone
      To share our love of music
      I present to you
      Country music without prejudice, hey

      [Cuntry music, that be.]

      Country boys don’t rock and roll
      Yeah the record man told me so
      Yeah you’ll never get it on the radio
      Why they trying to complicate
      The simple music that we make
      Oh cause if it moves my soul
      I’m gonna keep on rollin, rollin

      Hey, just wanna hear everybody sing (rollin’, rollin’)
      At the top of your lungs till the windows break (rollin’, rollin’)
      Say hey, hey, hey

      I ain’t gonna shut my mouth
      Don’t mind if I stand out in a crowd
      Just wanna live outloud
      Well I know there’s got to be
      A few hundred million more like me
      Just trying to keep it free, yeah

      Hey, just wanna hear everybody sing (rollin’, rollin’)
      At the top of your lungs till the windows break (rollin’, rollin’)
      Say hey, hey, hey

      Charlie Pride was the man in black
      Rock and roll use to be about Johnny Cash
      Yeah whatcha think about that
      Well I’m a crazy son-of -a-(bad word)
      But I know I’m gonna make it big and rich
      Yeah im gonna let it rip

      Hey, just wanna hear everybody sing (rollin’, rollin’)
      At the top of your lungs till the windows break (rollin’, rollin’)
      Say hey, cowboy Troy

      [Cowboy Troy]
      Dum-diggity-dum, diggity-diggity-dum dig this
      Slicker than the grease from a BBQ Briskit
      Got more chunk than a fresh potato salad
      You thought you had your answer
      But your answer was invalid
      Your looking at me crazy cause you think I’m loco
      The big black cowboy, with the crazy vocal
      Todas las personas gritando arriva
      Now you heard it, now I know you a believer
      Esta cancion es para toda la gente
      Es muy importante a usar su mente
      So let go of all your preconcieved notions
      Get up on your feet and put your body in motion
      Cause back home we love to dance
      We could be two-stepin, or ravin’ to trance
      And when the party is crunk, the girls back it up
      We got the systems in the cars and the 20’s on the trucks
      6 foot four with a cowboy hat
      I dont mess around, yo what’s up with that
      I’m cowboy troy, a texas hick
      And I’m rollin with the brothers
      Big and Rich

      Go cowboy go cowboy go
      Go cowboy go cowboy go

      [so that would be a jig, some hip hop, and a shout out to the mexican community, all inside a single Cuntry song. that is one organic vegetable.]

      Hey, just wanna hear everybody sing (rollin’, rollin’)
      At the top of your lungs till the windows break (rollin’, rollin’)
      Say hey, hey, hey

      Hey, just wanna hear everybody sing (rollin’, rollin’)
      At the top of your lungs till the windows break (rollin’, rollin’)
      Say hey, hey, hey

      [politics by melodic means, as we say.]

    14. N.B. Forrest Says:

      The jewfake “redneck” rebellion is enough to make any healthy White man blow chunks: the utterly loathsome Dick ‘n’ Bitch, that Injun-looking broad Gretchen Wilson, talentless whore Tobi Keef naming his latest bag o’ shit “White Trash with Money”…. every goddam bit of it kike-concocted to divert young Whites from the real thing – jew-aware racism – by encouraging them not just to be ignorant of what’s going on, but to be loud ‘n’ proud about their ignorance.

      “That’s right, bubby: forget about the wetback who took your lousy job, and the schvartzes who shot your ‘paw-paw’ for his loose change – oy, that’s all OUR business! You just go on ‘n’ have yerself another big-ass slug o’ Jimmy Beam! Hell yeah!!”

      Then there’s the way they’re constantly stroking the fragile egos of the blue collar Whites who down the swill: images of sweaty, grimy guys under hats hard or cowboy, totin’ that I-beam or bale; sassy waitresses who don’t take none of that “fresh” shit; sure, they may tear-up the ol’ honky tonk on Sat. night – oh, but they’re right there in the pew with the young-uns on Sunday mornin’ cuz they’re God-Fearin’ Salt o’ the Earth…..BLECHH!

      “ignore the fact that women are as likely as men to beat up their spouse, and likelier to physically abuse their kids. you’ll grow old and waiting for a Cuntry song about a mother abusing her kid, becaues in Cuntry, wimmen are always right]”

      Yep. The Dixie Cunts and that bitch McBride in particular have made careers of fanning the flames of unjustified female resentment.

      Of course society as a whole also totally ignores the facts you laid out: women are ALWAYS the victims of some brutal thug of a man, never the culprits; even when they murder, the “root cause” can invariably be traced to the beating or rape or Svengali manipulation of the bedicked monster closest to them.

    15. Carpenter Says:

      This is nearly unique to the United States, that the Jews not only controlled the Left, but also usurped the Right at an early stage. In Western Europe the strategy was always to spit at the flag, while in the U.S. some Jews spit at it, while other Jews distorted what it stood for.

      That is probably simply caused by the high number of Jews in the United States. 80-90 percent of Jews will always support the Left, and only a small minority will work with the Right. In the U.S., that minority was enough, as its members still numbered in the hundreds of thousands.

      The result has been devastating. Whereas in Europe the long tradition symbolized by the flag and the nation has been available to anti-immigrant groups, in the U.S. WNs have turned away from the flag in disgust. Thereby relinquishing the symbolism that ordinary people are comfortable with. Cut off from all tradition, White Nationalism has become more alien than the Jews in people’s eyes.

    16. fdtwainth Says:

      Sad truth, indeed. The excellent American country music I like to listen to is disappearing, and is replaced with judeo-propaganda or various modern experimentations; the same is gradually happening to beloved classical music. WN should promote academism in all its forms, and fight jew-induced compromising of standards in performing arts and folk mosic.

    17. New America Says:

      This is truly an important topic if we are to understand how EVERY element of the Culture that the Goddamn JEW touches, the Goddamn JEW perverts to his end, and our doom.

      What amazes me is they can literally mock us and our dreams, and we will pay they for this: I suspect you will find the theme of “rebellion” growing in importance as the blue collar target demographic of “country” music faces a slowly collapsing economy. In this way, the issues of “standing up, being a man, and being independent” are harnessed in the false dreams supplied to them by the JEW-controlled “country” music industry. Instead of doing what was done in earlier times – see the facts, and see that they have the power to do something about it, one way or another – they accept the JEW’S definition of their False Enemy as the true target.

      Thus, two things happen:

      One, trucker guy never REALLY deals with the true source of WHY his life is falling apart, and the JEWS win. The RACE dies, one Man at a time.

      Two, trucker guy sees his son has no future, and encourages him to join the Army, which offers his “training, and a skill,” while he kills the other RACIAL enemies of the Goddamn JEWS, and is wounded, maimed, or killed – or, worse, from a RACIAL perspective, has his DNA exposed to the dust of depleted uranium, which kills him slowly, and which destroys his DNA. The RACE dies, one Man at a time.

      Three, trucker guy’s son sees the young ladies he should be pursuing choosing the forms of hedonism offered her by the JEW-controlled Propasphere; the hyper-masculine (as a matter for Form) black guys use her, and she chooses them with a sense of pride. The RACE dies, one Man at a time.

      Now, contrast this with a National Socialist solution:

      One, trucker guy does not go into debt to buy a truck he can not afford to operate, and illegal Mexicans – and their now legal trucks – can not undercut him in the marketplace. He makes enough to support his wife and children. The RACE grows, one Man at a time.

      Two, his son learns such useful skills in the trades as the Army has to offer, while building the skill set, economic productivity, and technological base, of the country. His son marries, raises a family, and the process continues forward. The RACE grows, one Man at a time.

      I am changing my focus to the importance of the Recovery of Masculinity at the RACIAL level; some thoughts:

      One, I firmly believe a point has come where the ideas of “Biff Baxter,” which I thought were somewhat extreme some time ago, seem, in fact, to have understated our situation:

      From “The Latest From Luke O’Farrell” thread on VNN:

      47. Biff Baxter Says:
      The 6th 2006f July, 2006 at 6:19 pm

      I’m 100% serious when I say that if the White Race lost 3/4s of it’s population in the coming World War, it would be the greatest blessing ever bestowed on us. It would improve the gene pool to an almost unbelievable degree.

      Radiation, hunger, disease and natural attrition could do for us what the glacial periods normally do … they sharpen and refine our genes to get rid of the extreme baggage and dirty chromosomal trash we’re dragging with us today. We’ve gone too long without a cull – following the Inquisition and three major wars of quality destruction (one civil, two world wars) has cost us our best elements and whittled our genetic stock down to where there are a hundred oxygen stealing slack jawed mental defectives for every white man who can walk and chew gum at the same time.

      I’m not picky – I just want to see whites who can tell me how many fingers they have and can roughly remember what year it is and what planet they are on. Such people are a rarified few nowadays and there is no way this sick, toxic collection of walking excuses for abortion can preserve this society for much more than the next decade at the outside.

      There’s a world war coming, it’s going to be nuclear and to survive it you’re going to have to use your real brains, not your TV brains. Be prepared to batten up when it gets here and survive the first three years at least. When it’s over it will be a whole new ballgame for those who are still alive.

      O’Farrell made a point that it has taken me some time to truly understand, and accept. While the idea that the loss of ninety percent of WHAT THE WHITE RACE HAS BECOME would be a blessing seems a bit over the top, it looks like he is not as far from the ball park as I might have thought.

      Two shocking events drew this point home;

      One, country music – as portrayed through the non-verbal messages of CTV, in particular – drives home for MEN the acceptance of economic decline with quiet grace, as in “Yes, we are broke, but they left us the trailer, and we have each other, and only 48 payments to go on the trailer.” Of course, they forget about the lot rent and the personal property tax they pay annually, but what the Hell. That would require too much abstract thought.

      Two, country music, in the same light, drives home the subpotence of White Men, while NOW doing something they DARED not do just twenty years ago, celebrating nominally hypermasculine Colored who literally mock the White Men in song, lyrics, and dance. Our women are seen as admiring their Masculine Men, and replacing us, with them. A couple months back I saw a commercial from State Farm Insurance on something called SPEEDChannel, and a fat dumb Country White guy, and his fat dumb Country White wife, were looking to a Black guy for the solutions to “their financial needs.” My blood pressure just did horrible things; now, imagine this message across the spectrum of country music…

      Three, OPRAH. A friend of mine who is rather skilled at marketing and psychographics said to just turn the tv off and watch OPRAH for just one hour.

      I was horrified, and talked with him some days later.

      He said, “What do you see?”

      My reply was simple: “Fat, middle-aged White Women cheering on a woman who must go home and laugh all night at how stupid they are; as a rule, the men who appeared on the show are Drones, even if they try to appear as Warriors.”

      He said, “That’s about it. Most of what we called “Our Women,” aren’t OURS, and aren’t women; they’re fat old Privilege Princesses, who seek their power from the approval of their Enemies.”

      What are we fighting for, when the Enemy is within the Gates?

      Country music is damn near a soothing narcotic, making us feel good to avoid facing the fact that we should awaken in the morning with a profound sense of betrayal.

      Our Women, by and large, passively, today, and actively, tomorrow, support our RACIAL enemies, whose sole purpose is to destroy us; this is particularly true in junior high school on up, where they become whores, and our sons become whiggers, adopting the facades and behaviors chosen for them by our RACIAL ENEMIES.

      As Peter Shank so astutely noted, all of this was done by the JEWS, WITHOUT FIRING A SHOT.

      No wonder I see so much free-floating hostility everywhere I look; it is the anger of the prey who is trapped in his burrow, and the carnivore is slowly, relentlessly, digging in.

      New America

      An Idea Whose Time Is HERE!

    18. tbolt58 Says:

      More of the some ol’ jew infiltration in every aspect of the media except the web. The schmuels are everywhere pretending themselves or their race-traitor minions are “white”. Check out “Boston Legal”. In this media offering we get jew Shatner portraying a consevative white man. Not a very flattering portrayal of us, as he comes off vain,immature and stupid. This is but one small and average example of the jewish “mindfuck”. It’s repeated ad infitum ad nauseum daily. By the way, Shatner was also the first “white” man to kiss a nigger on network TV as Captain Kirk when he swapped spit with the female ape who played Lt. Ohura. Yeah, the schmuels have been at it for years and they’re tightening up, not lightening up. Know your enemy, they’re for real, even if the mind-fucked “sheeple” can’t see them. They don’t change. They can’t. No getting along, no non-aggession pacts, no thinking they’re anything like us, because they’re not. Vicious killers bent on our genocide. There is no truth in them. No quarter to our oppressors. It’s them or us. My choice is simple, how about yours? 88

    19. tomhiggins Says:

      Man goddam get off the cuntry bullshit. At least its 100% white and there are fine looking white babes who are not whiggers singing. Sure the fucking jew and his tools will attempt to fuck with country and nascar but they will fail. Country and racing are number one in their fields. If you took away the white whigger fans for the jewnig NFL, NBA.MLB they would have nothing and go under. There are some good looking cunts in Country but dont disrespect them. Its all whites have left anyway. Go fig.

      On another front here we see the nigs and spics getting free training to take back to the hoods and of course you know jews are behind all this too to fight their wars over there and over here for present and future. Bush is the biggest fucking idiot bastard ever and knows about it.

      FBI says U.S. criminal gangs are using military to spread their reach

      By Seth Robson, Stars and Stripes
      European edition, Thursday, December 7, 2006

      GRAFENWÖHR, Germany — U.S. criminal gangs have gained a foothold in the U.S. military and are using overseas deployments to spread tentacles around the globe, according to the FBI.

      FBI gang investigator Jennifer Simon said in an e-mail to Stars and Stripes this week that gang members have been documented on or near U.S. military bases in Germany, Italy, Japan, South Korea and Iraq.

      “It’s no secret that gang members are prevalent in the armed forces, including internationally,” Simon said, adding that the FBI is preparing to release a report on gangs in the military.

      Among the cases:

      ¶ In Iraq, armored vehicles, concrete barricades and bathroom walls have served as canvasses for spray-painted gang art. At Camp Cedar II, about 185 miles southeast of Baghdad, a guard shack was recently defaced with “GDN” for Gangster Disciple Nation, along with the gang’s six-pointed star and the word “Chitown,” according to the Chicago Sun-Times.

      ¶ In Germany, a soldier is being prosecuted this week for the murder of Sgt. Juwan Johnson, beaten to death on July 4, 2005, allegedly during a Gangster Disciple initiation in Kaiserslautern.

      ¶ In September, Department of Defense Dependents Schools in Europe warned teachers and parents to watch out for signs of gang activity, including the deadly MS-13 gang. At the time, DODDS-Europe public affairs officer David Ruderman said there had been two incidents in the past 18 months that involved students fighting, wearing gang colors or claiming to be members of gangs. In one of the incidents, a student’s family member may have been a gang member, he said.

      ¶ Earlier this year, Kadena Air Base on Okinawa established a joint service task force to investigate gang-related activity involving high school teens linked through the Web site MySpace.com.

      Last year, the U.S. Army conducted 11 felony investigations into gang activity, one of those being the death of Johnson, said Christopher Grey, a spokesman for the Army Criminal Investigation Command (CID) in Virginia. Three of the incidents, including the Johnson case, took place in Europe, Grey said.

      “We investigate all credible reports of gang activity,” Grey said, adding that CID has programs to combat gang activity in the Army.

      Soldiers are reluctant to talk openly about gang problems. However, Spc. Bautista Kylock, 21, of the 2nd Cavalry (Stryker) Regiment in Vilseck, Germany, said last week that there are gang members within his unit.

      Kylock blamed recent violence around Vilseck on soldiers affiliated with the Crips and Bloods street gangs.

      Scott Barfield, a former Defense Department gang detective at 2nd Cav’s last duty station, Fort Lewis, Wash., told the Sun-Times earlier this year that he had identified more than 300 soldiers at the base as gang members.

      “I think that’s the tip of the iceberg,” he said.

      However, Vilseck Provost Marshal Maj. Robert Ray said there is not a big gang problem in Vilseck and he has no information on gang members within 2nd Cav.

      “The military comes from all walks of lives, from rich to poor, and with that comes the ‘society,’” Ray said. “Are there members of the military that belong to gangs? No doubt about it. But the military is not rampant with gang members.

      “The military chain of commands do not tolerate things like that and do their best to weed out problems,” he said.

      There are no official statistics on gang membership in the military, but some experts have estimated that 1 percent to 2 percent of the U.S. military are gang members, Simon said. That compares with just 0.02 percent of the U.S. population believed to be gang members, she wrote.

      “Gang membership in the U.S. armed forces is disproportional to the U.S. population,” she added.

      Jim Kouri, vice president of the National Association of Chiefs of Police, wrote recently that, in addition to the Gangster Disciples, other Chicago gangs such as the Latin Kings and Vice Lords have infiltrated the military along with neo-Nazi groups.

      Although there are no numbers to back it up, Simon believes gang member presence in the U.S. military is increasing.

      “The U.S. Army has reported an increase in gang-related activity in the military, although their numbers are low,” she said.

      Gang-related activity in the military is highly underreported, and the Army is the only branch of the military that collects gang-related statistics, she wrote.

      “It’s often in the military’s best interest to keep these incidents quiet, given low recruitment numbers and recent negative publicity. The relaxation of recruiting standards, recruiter misconduct and the military’s lack of enforcement (gang membership is not prohibited in the Army) have compounded the problem and allowed gang member presence in the military to proliferate,” Simon said.

    20. NT Says:


      5 December, 2006 at 8:40 pm

      “i expect that brad paisley and many more are Jew”

      That is interesting. I hadn’t thought that for some reason. But I always thought “Mud on the Tires” was sarcastic against Rodeo and rural culture. I couldn’t figure out what a country western singer was doing talking about taking a woman out where there were no witnesses and the truck could get stuck. It didn’t sound like anything out of any the rodeo guys around the ranch that I had heard. They don’t talk about women like that in kinda a sneering wait until I get you alone kind of way. At least I don’t think so. And the part about duck blinds etc. Is that cute or hostile towards the lifestyle? It’s suppose to be cute… but is it really?

    21. New America Says:

      A fascinating observation – could we track the creation, and development, of this “new” country music – as distinct from the old Merle Haggard / Johnny Cash stuff, with the decline of the fortunes of the blue-collar White working man?

      Could we do the same thing with “rap music” for his children, and the children of his white collar counterpart? The difference between the two mediums in terms of acceptance is that one is a broad spectrum tranquilizer, based entirely on the visual world of television to cross all demographic lines, whereas as “New Country” is designed to specifically anesthetize the blue-collar male against becoming remotely aware of the reason for his fallen estate, much less getting angry enough to actually DO SOMETHING about it.

      So, his anger turns inward, which manifests as the learned helplessness that is the foundation of depression; in his new-found lassitude, he watches the most powerful form of the music he has always heard, and is mocked by the pictures on the screen, openly, and the words of the songs, quietly.

      On some level, he GETS the message; closer to the the surface, at the intersection of thoughts and feelings, it all manifests as a vague sense of unease, that SOMETHING is profoundly wrong, and he does not know what it is…

      It really has become so much simpler to me since I heard an excellent observation made by Edgar J. Steele in his piece, “Never Trust A Jew.” In it, he noted how, in time, we all develop Rules of Thumb because they WORK; the exceptions simply prove how solid the Rule is.

      The Secret of the JEW’S Success is very simple to understand:



      THAT is the foundation of their success – a simple, easy-to-learn, easy-to-apply PRINCIPLE that is RUTHLESSLY and RELENTLESSLY applied at ALL times.

      RACIAL PURITY is so far advanced, that in the Old Testament’s Book of Numbers, Chapter 5, abortion is MANDATED for the woman who breaks the line of RACIAL PURITY – the “bitter waters” are adminstered by the rabbi “until the curse does come.” This is NOT optional for women; undermine the RACIAL PURITY LAW, and the abortion WILL be induced by the rabbi – one way, or another.

      Now, Class, who can spell eugenics?

      Thank you.

      IT is simply, clearly, and totally RACE, writ large, that MUST be our sole concern, and attacks on the RACE must be identified as such, and rejected.

      It is not enough to not do wrong; what we must do is develop a more concrete formulation of what is RIGHT, for US, and move in THAT direction.

      The more I look at Covington’s Northwest Republic Trilogy, the more I can see that his Vision has elements we can all use to profitably, given time, and relentless, even ruthless, discipline.

      The JEWS have already done it, with OUR power; imagine what we could do if we just removed the parasites from their control over our lives.

      While we can.

      New America

      An Idea Whose Time Is HERE!

    22. stu Says:

      Montgomery, Gentry and new country :

      They are talentless knaves wallowing in pig shit, profiteering off the calamitys of our times…..they are typical Intertainers.
      I wonder how far their trainers,handlers and advisors pull them around by nose rings…like the blind cattle they are.

    23. Biff Baxter Says:

      Alex is right on the money, as usual, with this critique of the highjacked country music industry.

      Starting around 1988, the yoodis became aware this last little bit of white culture existed independently of them and they noticed many whites were flocking to it as a source of solace. Of course, you know the lamprey with legs wasn’t going to allow that situation to continue for long.

      They beat Nashville to a pulp, bought them out, co-opted them, funded talentless competition as though they were actually desirable and in general did what they do to anything they infiltrate … turned it all into useless garbage.

      I can’t believe sometimes listening to the radio on the way home from work what a bunch of effeminate faggots they have slid into country music’s top male acts. The lyrics, delivery and harmony is strictly bongo nigger judaic queer sodomite horseshit from the first word to the last note.

      Don’t even think about buying one of these records, people! Not a nickel into hymie’s pockets, soon he’ll have to fund these agitprop outfits out of his own pocket to keep them afloat! Lots of people notice this happening to that tired crap called rap right now. Sales are down because even the dumbest white halfwits are starting to sense how passe the nig jig really is.

    24. Mr. Antisemite Says:

      There’s something I always hated about country western music and movies. I never really saw anything noble or romantic about this period of American history anyway, except for a few famous gunfighters who didn’t follow the herd. What’s so interesting about wearing a cowboy hat and chaps while baby sitting a bunch of cows and driving them off to the big city for slaughter anyway?

      And the music is overly sentimental, grammatically incorrect, naïve, silly and embarrassing for the most part. And its looks even more ridiculous when they wear the stylized cowboy uniform and sing this tripe. I particularly dislike goofballs like Garth Brooks and Randy Travis with his big Adams apple and twangy voice. People like these are an embarrassment to the White Race.

      Some of the older Western songs were much more musically interesting than the anti-white shit they put out now such as Marty Robbins’ ballad, “El Paso”. I don’t know if it was intentional or not but even back the distinctions of race were being blurred by the romanticism of this mestizo.

      It’s probably no coincidence that people who like jazz like cowboy crapola too. I don’t understand the appeal of these forms of music. Bad music is like bad food. I wonder if people who like this music get it by an acquired taste or is it a mental defect?

    25. Guitar Man Says:

      I also suspect Brad Paisley is jewish, as well as a few other country artists. For instance – if you watch his “Celebrity” music video, you will see appearances by many of Brad’s friends such as William Shatner, Jason Alexander and various other Hollywood actors that are jewish. In the song “Alcohol” you will hear the lyric “helping white people dance”, which I believe is an insult directed towards white people. You can also see that he looks like a jew and is not very tall. So with all things considered, I can almost be sure that Brad Paisley is a jew.

    26. Hoosier Says:

      Not quite “country,” but if you desire, compare these two videos of Indiana’s John “Cougar” Mellencamp – then and now.

      Here’s the first, A video of “Small Town”


      It was shot in his hometown of Seymour Indiana – around 1985 or so? – in southern Indiana. Southern Indiana is beautiful – Hilly, almost mountainous, and lush – lots of clean small towns, just like the one in the one in the video. The fall season is fantastic in southern Indiana.

      There’s a quick clip of Basketball great Bobby Knight, who coached just a bit north of there in Bloomington. Ah, I love that part of the country. I don’t believe commentary on my part will add anything, I think you’ll be able to see the point.

      Compare the first video to his recent one:


      Fast forward to now, and here’s John “message” about “bigotry and hate:”


      Sigh. Look for the white shoeshine boy, the mixed couples, the “worst villain” – the head abuser and bully – sure looks like a redneck southerner to me. Although blacks aren’t portrayed in a positive light either, the whole video left me feeling depressed.
      The first one made me feel uplifted.

      Damn you anyway, John.

    27. Hoosier Says:

      sorry, posted the second link twice.

    28. Hoosier Says:

      One More comment, sorry – As far as I’m concerned, the midget and the girl in the wheelchair would be welcome in any community I was a part of. I suspect most of you VNNer’s feel the same.

    29. Stinger Says:

      I thought cancer got Mellencamp(follower) – too bad.

    30. van helsing Says:

      I dont keep up much with modern country music, or that much of rock (and not any black music). Oldies oldies oldies, and usually on CD…

      My brother stopped listening to country many moons ago after some bug c&w star recorded a cover of “Double Shot of my Baby’s Love”… (a preppy college favorite, except he wasnt preppy…)

      I did see a people mag my wife bought recently cause she listens to modern country, most of which is merely mindless because they either get to record mindless or joo-friendly… Chesney and some other “male” c&w star look like fags. Havent looked them up on jewikipedia, but a lot of modern stars have jewish or ambiguous or unprinted backgrounds. Check it out for yerself. The examples of TV shows and commercials where the counsel of the ubiquitous “wise black man” is sought, are, well. legion.

      Whatever their faults, I usually gravitate toward the stuff I cut my teeth on (despite the negative influences on them and in it), like The Who and The Band.

    31. Yankee Jim Says:

      There’s a line in an old Merle Haggard song (That’s The Way It Was In ’51) that tells the whole story. Here’s the line:

      “Country Music hadn’t gone to New York City yet”

      Nothing else needs to be said…

    32. van helsing Says:

      Merle was in a Broadway show many years ago. And remember, Merle had been in prison.

      He had to practice song and dance numbers. He got disgusted with the other male dancers always grabbing his ass, and went home.

      That’s New York (City) for ya.


      Take a good look at musicians whose music you enjoyed in the past. If they are always always always thrown in your face (Jacko!) then they are either very jewish or are jew favorites. Especially those who make numerous “comebacks”.

      The others that toil along and dont get much press probly arent “playing the game”.

    33. Hoosier Says:

      Well, here’s something good – this cuntry shit is making me ill.
      Goddamn, I like this song – straight ahead power rock and no frills video:


      Later, Brothers.

    34. Stinger Says:

      Just caught the music video of “Some People Change” while channel surfing, the boys are dressed in black leather – looks and sounds very gay – wonder of “Brokeback Mountian” is starting to turn the CW crowd ?

    35. New America Says:

      As for those who need to get the Masculine Mindset back, I recommend one and all start at:


      And what were they doing?

      Defending the RACE against the threat of SLAVERY.

      Defending the *what*, children?

      Thank you.

      Your homework tonight is to do ten pushups, make them good, and send at least twenty dollars – more would be better – to Alex Linder, whose address in at the bottom of this page.

      New America

      An Idea Whose Time Is HERE!

    36. Hoosier Says:

      I’ll add one more good one – we might all need megadoses of good music to counteract the dreaded after effects of cuntry-Niggabumkin syndrome. My neuro-synaptic pain transmitters are STILL firing on and off, after listening To Cowboy Troy – and that was hours ago.

      This video, I don’t have a clue as to what they’re saying, it’s in Swedish. But I know what I like, and I like it, and hope you enjoy:


    37. Hoosier Says:

      Good trailer, New America. 300 is by Frank Miller, the same guy who wrote and I believe produced “Sin City.”

      Here’s a “Youtube” tip – If you click on the little box in the lowest far right corner of the video box – two clicks over to the right from the volume control – you’ll get a full screen video.

      See you next weekend, probably, Brothers.

    38. New America Says:

      Swedish, eh?


      “What was, and WILL be again.”

      New America

      An Idea Whose Time Is HERE!

    39. Scipio Americanus Says:

      “Cuntry” is nothing more than a commercialized version of the original genre of music known as Country. In fact, it has become so commercialized that much of it falls under the label of “pop” these days. It’s social message, however, has been infused with Judeo-Marxist themes that often go unnoticed by the listener. Take for example
      “Independence Day” by Martina McBride. Here we have a classic example of “Cuntry”: a seemingly patriotic sounding song and message that, since 911, has become associated with ZOG radio personality Sean Hannity, who employs it as bumper music on his radio program. (That should tell you something right there!) Of course, his listeners only hear the chorus lines and not the entire song.

      Well, Alex has already beat me to the punch on this one. Needless to say, his analysis is entirely correct. The song is nothing more than a feminist inspired diatribe against men — WHITE MEN — who are portrayed as abusive rogues worthy of having their homes torched. Come to think of it, doesn’t the song imply the man was sleeping soundly in his bed when the “abused woman” lit the flame on her road to “independence”? From the song: “They just put out the flames and took down some names and sent me (the eight year old) to the county home”. Then let’s not forget the explicit moral relativism of the song: “Now I ain’t sayin’ it’s right, or it’s wrong”. Get that folks? Who are we to judge? After all, it’s all a matter of opinion. Disgusting! But what else would you expect from an industry that is now dominated by Kosher Inc.?

    40. Hoosier Says:

      Hot white women, eh? Here’s a fine lass:


      Now I gotta GO! I could sit here all day……

    41. Hoosier Says:

      OK, one more, and then that’s it – I really have things I have to do:

      Here’s one for you greiving country, not cuntry fans – the great Chet Atkins (I’m in a gi-tar kinda mood..)


    42. jackumup Says:

      John Melloncamp is a DICK who lives outside reality in rural America watches way to much jew-TV and talks to way to many Jew influence jewywood sellouts. Fuck him and his music, what happend to molly hatchet or Blackfoot now they rock and the only niggers at their concert worked the doors & concessions. Is it me or the guy with mongomery gentry that plays the guitar seem a little on the edge, is there a shortage of valuim in alabama? Fuck them too. I think Brad paisley is a jew and martina Mcbride should stop singing about white men beating up women her attitude is why white men beat up women, however if she was with a nigger she would be dead Fuck her too

    43. Hoosier Says:

      Good – Get it out of your system, jackumup, you’re amongst brothers.

      John Cougar I think WAS good, when he kept within his roots, early on. I think He and his band were pretty damn good live, in my opinion. Very good drummer. He just sold out like all the rest. The First Video WAS real – as I’ve seen it myself in tons of towns here in Indiana, including Seymour.

      Very nice clean places. Nice Small towns, surrounded by lush cornfields and farms. Some of them still exist intact, although they’re getting dirty around the edges with the flood of spic boy trash and their nasty squat squaws.

      Indiana is turning into LOS INDIANA – and it’s really a fucking shame.
      Thanks for nothing, fucking Jews.

    44. alex Says:

      Mellencamp is a big-time sellout. His song is used to sell Chevy trucks. It’s kind of funny. A nationalist appeal is apparently the only thing Chevy has to appeal to these days, as chevies come in low in consumer reports. The Toyota commercials appeal to logic in the way most commercials did in the sixties and before. They talk about mileage, durability, other things that might concern the buyer. The chevy commercials feature “This is your country” and make direct reference to WWII.

      A third-world nation, under jews, favoring flash and bang over substance. Thatz our ‘Kwa.

    45. alex Says:

      WHITE MEN — who are portrayed as abusive rogues worthy of having their homes torched. Come to think of it, doesn’t the song imply the man was sleeping soundly in his bed when the “abused woman” lit the flame on her road to “independence”? From the song: “They just put out the flames and took down some names and sent me (the eight year old) to the county home”. Then let’s not forget the explicit moral relativism of the song: “Now I ain’t sayin’ it’s right, or it’s wrong”. Get that folks? Who are we to judge? After all, it’s all a matter of opinion. Disgusting! But what else would you expect from an industry that is now dominated by Kosher Inc.?

      Similar to Dixie Chicks song “Goodbye, Earl” in which chicks murdering a white guy is treated as lighthearted fun.

      The point is, these aren’t true country songs. They may have the people and the instruments, but the songs are paint by number in pushing The Agenda. Songs like “Independence Day” play directly into the mindset that supports the deadbeat-dad, abused-woman judeostructure that rules the courts and papers.

    46. Hoosier Says:

      Yes, John Mellencamp sure is a sellout.

      I saw him in the early days, and it was a different story. He was different then than now. I still like the “Small Town” video, and the spirit of it. It’s a positive portrayal of small town life. Friends and family, a clean environment, space, athletics, stable and growing at the same time – “lush” is the word that comes to mind.

      There were plenty of “safe” oddballs to keep things interesting. You had silence and quiet, so that you can THINK. You can see a million stars at night. Oh yeah, and almost 100% white. Not perfect by any means, but compared to where it is, and where it’s all heading, well…

      The thing is, the good actually EXISTED. I Know it did, because I experienced it. You know that too, Alex. The marketers take something that people want, or REALLY need, and tie it in with their crappy trucks and cheap booze. It’s the classic bait and switch.

      They take shit and tell you it’s ice cream, and make a mental impression in your head that the shit tastes like ice cream. Hmm – I’m having a light bulb moment. It can only work with your permission. I’m not sure what to do with this insight.

    47. Gary Bontlebiase Says:

      In case you hadn’t noticed, country music was invented by jews in the first place.

      In the beginning rural whites had only what music they could make themselves, mostly church music, and the traditional Anglo-Saxon and Celtic folk musics of their ancestry. When things were prosperous traveling musicians would come through and play whatever kind of music they could get people to pay for, either in cash or by putting them up and feeding them, since information and entertainment were scarce.

      The Victrola, expensive as it was, changed that a little as marketers found rural dwellers less likely to buy classical and light formal entertainment music than citydwellers. Companies sold “Hillbilly” records to rural whites, and “Race” records to rural blacks-usually primitive blues and gospel shouting.

      There was no such thing as “country music” until the advent of radio, and no such thing as “western music” until the advent of “Western” movies with sound. Country music was a commercialized form of pop with “hillbilly flavoring” devised to have a specifically rural white listenership they could sell stuff to via sponsoring clear channel high power broadcasting. Rural dwellers didn’t have electrical power from a utility but they would rig up crystal sets that worked without a battery, and later, TRF radios with triode tubes powered by a six volt car battery and a bunch of dry cells in series for B+. Who was behind this bit of entertainment promoting? You guessed it-Jews.

      Most of the early country songs were published (in music “publishing” has specific duties and privileges, i.e., profits) by Hill and Range, that is to say, the Auerbachs. Jews. Most of the promoters of country music were Jews. Many country performers from Bill Monroe and his Blue Grass Boys to Johnny Cash were kept going for decades by Jewish interests.

      Whether or not whites should listen to country is not for me to say (though much of it is putrid with rot for certain), but it’s a sure thing that to eradicate Jewish influence in country is to eradicate the music itself. One must go back strictly to such European sources as the Child ballads and folkish Germanic, Celtic and English remnants still over there.

    48. you'refuckedup Says:

      You are fucked up. Please hang yourself immediately. Thank you.