"Akaine" just sounds feline to me.

Enough! I'm getting a bolt of velvet and a palette of paint for the wife's cat. If that's what sells, I'm not going to fight it anymore.

Besides I can write better baloney that Akaine's daddy.

What's Oprah's number?

Like she has actually seen actual Negro suffering. I would say the only Negroes she has actually seen have been her daddy’s doctor and lawyer friends and of course the millionaire sports and hip hop Negroes on the televitz.

She starts out good at 6.

By the time she is 11 the Jewish influence has become full circle.

Okay....here are Akiane's "words" that accompany the painting of the black woman in red hat and shirt, from her website:

"In the Planted Eyes, I wanted to portray the beauty and suffering of the black race.

But she has the audacity to portray the suffering of Negroes. Besides where did she get “Colored”? I thought that word as pronounced RACIST in the late 60’s.

"I was inspired to paint all the races, but to find colored people where I live was very hard..."

You are pretensious, you are putting on airs, you pretend you are a big tough man, that's being pretensious. Only your pretension is much more offensive and annoying than the pretensious artsy fartsies.

Being the big, tough, pretentious man that I am, I guess you meant pretentious instead of pretensious.

What a shame you couldn't figure out the answers to a couple of simple questions.

"In the Planted Eyes, I wanted to portray the beauty and suffering of the black race.

It was my fastest portrait...it only took me 15 hours from the sketch to the very end.

It was also my first oil painting and Oprah's favorite.

You can see the whole life of this African woman in her eyes.

The eyes are full of strength and spirituality.

The red outfit portrays her love,

the gold earring portrays her inner richness and confidence,

the gray hair portrays the wisdom,

and the background stripes portray the hardships."

[color="Red"]And what does the stupid looking little niglet portray?

Actually that quote refers to a different painting (see the first page of the thread, the first painting of the woman in red hat and shirt) but I get your point, LOL!

I guess the niglet portrays, as Bob Grant used to say, "...one more marauder..."

-AM

It is the pic with the Niglet that is named “Oprah’s favorite” on the site. I had to rehost it because they wouldn’t allow hot linking.

In the quote you made she said that pic was Oprah’s favorite and that is the one listed as Oprah’s favorite.

Kind of makes you think she either doesn’t know her own work or someone else is writing her material.

Actually that quote refers to a different painting (see the first page of the thread, the first painting of the woman in red hat and shirt) but I get your point, LOL!

I guess the niglet portrays, as Bob Grant used to say, "...one more marauder..."

-AM

My favorite painter is Norman Rockwell. He exposed white rural life in some of the greatest paintings I have ever seen.

Here's some more of Mr. Rockwell's work:

"The Problem We All Live With" by
Norman Rockwell depicts Ruby Bridges
being escorted to school by federal marshalls.

The 'problem' was, of course, 'racism:'

Building Bridges

... Bridges is remembered as the model for the African-American girl in the starched white dress, beginning her first day of school escorted by federal marshals, in Norman Rockwell's 1964 painting "The Problem We All Live With."

In 1960, at age 6, the child who inspired that painting endured the daunting experience of being the first black student to integrate the all-white William Frantz Elementary School in urban New Orleans.

For all of that school year, Bridges was almost the only child in attendance, white parents having pulled their children from the school. Each day for many months, she walked through a mob of angry protesters to spend her day alone in a classroom with Barbara Henry, a Boston transplant and the only teacher willing to instruct her.

Bridges handled this onslaught with amazing poise, even stopping to pray for the protesters as she entered the school.

Naïveté helped shield her as well. The six-year-old initially mistook the barricades, hateful signs, police officers patrolling the streets, and angry protesters throwing objects as part of a New Orleans tradition: "Mardi Gras."
"I felt as though I were in the midst of a parade," she remembers. "Later on, the [true] situation came together for me when I came in contact with a few of the other kids. The principal would separate us."

After her difficult first year, the mobs disbanded and the white students returned to William Frantz. While racial tensions continued through her high school years, as New Orleans' schools integrated grade-by-grade, the focus on Ruby subsided.

A Public Figure Again

For many years, Bridges lived quietly. After high school, she studied travel and tourism and spent many years as a travel agent, using the opportunities her profession offered to see much of the world, from Europe to Singapore. She also married and began raising four children, the youngest of whom is now 12.

In 1995, Bridges returned to the spotlight, as the subject of a groundbreaking children's book, The Ruby Bridges Story. Written by Robert Coles--a psychiatrist who studied the young Bridges as she faced the challenges of her first grade ordeal--the illustrated book told the story of Ruby's first year at William Frantz.

"It was the first book of its kind to try to explain racism to a five- or six-year-old," she said. "I spent six months promoting it."

Bridges also worked with Disney to develop 1998's Ruby Bridges, a well-received movie for television. "I'm very proud of that film," she says, explaining that the creators-who included Euzhan Palcy, one of Hollywood's few black female filmmakers-worked hard to accurately recreate her experiences as a young girl in the racially divided New Orleans of the early 1960s.

"The writers met with a number of people, including Dr. Coles, my mother and Barbara Henry," she said. "The cast and crew came together to do a piece of work we were proud of."

In 1999, Bridges wrote "Through My Eyes," a personal account of her unusual first grade experience. Asked if she'd consider writing a longer memoir, Bridges confessed she'd given the idea some thought, but added, "I feel there's still so much to be done. If I wrote them now I would need to write another one (later)."

A Renewed Commitment to Integration

In the early 1990s, Bridges began refocusing her time and energy on the subjects of children, racism and integration, when she returned to William Frantz as a volunteer.

In 1999, her concern led to the creation of Ruby's Bridges, a foundation now working to have her first school designated a national monument, a move which would help bring much-needed funding to this inner-city school.
Today, William Frantz is segregated again, but now its entire student body is African-American. Bridges' goal, she explains, is to convert this under-funded and physically decaying institution into a model school, one children of all races would want to attend.

Ruby's Bridges also is partnering with the Simon Wiesenthal Center, which has helped the foundation launch eight school partnerships in Los Angeles. This program links inner-city and suburban schools, offering children from different backgrounds a chance to spend time on each others' campuses, collaborate on volunteer projects and build greater understanding. Bridges is gradually expanding this program nationwide.

A Voice for Harmony

Bridges spends many of her weekdays traveling, speaking to school groups-especially young children-about her experience and the topic of racism. "Getting past racial differences will come through our children. The majority of my time now is spent going to schools and sharing my story with kids. I try to help them understand that racism doesn't have any place in our hearts or in our minds."

Bridges remains optimistic and strong in her belief that school diversity is one key to wiping out racism. And she does see change. "It bothers me when I hear that integration failed," she said. "As far as I'm concerned, my efforts didn't fail." [As far as the jews are concerned, she didn't 'fail.' --L.D.]

The fucking jews sure put one over on the White race with that one, didn't they? School integration. Everyone fell for it.

See how innocently they dress up their anti-white atrocities.

The horrible bastards.

Here's some more of Mr. Rockwell's work:

"The Problem We All Live With" by
Norman Rockwell depicts Ruby Bridges
being escorted to school by federal marshalls.

The 'problem' was, of course, 'racism:'

Building Bridges

The fucking jews sure put one over on the White race with that one, didn't they? School integration. Everyone fell for it. Those who didn't were, as usual, ignored by our "representatives" in Congress, by our local politicians, by our "shepherds" in the pulpit, by our "public defenders" -- and miscast and smeared as evil racist bigots by the enemy media. The failure of White leadership. The failure of White leaders to defend their own people -- against the fucking EVIL jews. That's been the name of the downfall of our race to date, has it not? That the jews have always beeen able to find White "leaders" willing betray their own people for a god damned dollar or for fear of a media smear. Always enough weak Whites to fill the jews' leadership positions.

See how innocently they dress up their anti-white atrocities.

The horrible bastards.

The fucking jews sure put one over on the White race with that one, didn't they? School integration. Everyone fell for it. Those who didn't were, as usual, ignored by our "representatives" in Congress, by our local politicians, by our "shepherds" in the pulpit, by our "public defenders" -- and miscast and smeared as evil racist bigots by the enemy media. The failure of White leadership. The failure of White leaders to defend their own people -- against the fucking EVIL jews. That's been the name of the downfall of our race to date, has it not? That the jews have always been able to find White "leaders" willing betray their own people for a god damned dollar or for fear of a media smear. Always enough weak Whites to fill the jews' leadership positions.

See how innocently they dress up their anti-white atrocities.

The horrible bastards.

There was one, and only effectively one, exception to this White failure of leadership. His name was Adolf Hitler. And the jews told the Germans' fellow Whites to kill him and physically destroy his German civilization and murder and enslave the German people. And the Germans' fellow Whites did so. Ever obedient as we are to our own mortal enemy.

When will the White race learn to stop murdering and destroying its own civilizations and people at the behest of its mortal enemy, the Destroyers? When we've been wiped from the face of the earth and from all earthly memory? Is that what it will take?

When will we, as a people, led by true leaders, turn and face and kill the Enemy, once and for all time? When will we utterly destroy the satanic seed?