Another media stereotype willingly parrotted by the horde.

http://www.drbukk.com/gmhom/park.html

Look at the construction of that porch. It is new and well made. I guarantee it is attached to a very nice and very modern house. You don’t go to all the trouble to build a new porch like that to an old trailer or shack. Also look at the yard; white trash would have trash in their yard not a well kept one like that. Even the dog is well groomed, white trash dogs have mange and various other skin aliments. Isn't Colt 45 a groid drink? I have never seen even a bottle of it here. To many plot holes for me. It is like watching a movie and pointing out the errors (example the gun firing in Pulp Fiction).

Before any of the Jews begin to point fingers remember I live in a white redneck area and see a lot of stereotypical white trash.

Another media stereotype willingly parrotted by the horde.

I wonder when this stereotype became common. During the depression and then WW2, it seems to me, hardworking 'rednecks' were not disparaged in this country. Am I wrong? Was it common to make fun of poor (not necessarily stupid) whites before the snivel rights movement was pushed by the judenpresse? This is a snap judgement, and many of you have a longer history in WN than I, so my memory is not so reliable on the history of antiwhite propaganda. When did the 'bad whitey' vs. 'good coloreds' become a popular misconception? The efforts of the Frankfurt school I had not even heard about until recently (reading K.M.), but the jewsmedia created and/or popularized these hateful stereotypes of us. When did this become prevalent? I would kind of like to place it in my mind in terms of my life history. Learning the truth about the different races and their places in this world really has been a life-changing experience. And looking back on former, obsolete perspectives I have held, I feel cheated. That's how the Jews make you feel when you finally learn what is real and what is just a Jew deal: cheated. Misled for all those years, robbed of understanding my place, my race and our interests. Just a digression on things I've been thinking about over the last couple of years. Thanks for posting this picture R Mac. Exagerrations of commonplace propaganda help make it easier to spot in its natural form. And notice that the 'mother to be' is drinking what is in fact a common drink for nigs. Almost reverse stereotyping of inner city blacks (which stereotypes more often apply) like a negative of a photograph where black becomes white, city becomes country, Confederate flag in place of redblackgreen, dog in place of child, alcohol in place of crack/blunts, shotgun (?) in place of handgun. Except the children will evidently have a father in the white version.

I wonder when this stereotype became common. During the depression and then WW2, it seems to me, hardworking 'rednecks' were not disparaged in this country. Am I wrong? Was it common to make fun of poor (not necessarily stupid) whites before the snivel rights movement was pushed by the judenpresse? This is a snap judgement, and many of you have a longer history in WN than I, so my memory is not so reliable on the history of antiwhite propaganda. When did the 'bad whitey' vs. 'good coloreds' become a popular misconception? The efforts of the Frankfurt school I had not even heard about until recently (reading K.M.), but the jewsmedia created and/or popularized these hateful stereotypes of us. When did this become prevalent? I would kind of like to place it in my mind in terms of my life history. Learning the truth about the different races and their places in this world really has been a life-changing experience. And looking back on former, obsolete perspectives I have held, I feel cheated. That's how the Jews make you feel when you finally learn what is real and what is just a Jew deal: cheated. Misled for all those years, robbed of understanding my place, my race and our interests. Just a digression on things I've been thinking about over the last couple of years. Thanks for posting this picture R Mac. Exagerrations of commonplace propaganda help make it easier to spot in its natural form. And notice that the 'mother to be' is drinking what is in fact a common drink for nigs. Almost reverse stereotyping of inner city blacks (which stereotypes more often apply) like a negative of a photograph where black becomes white, city becomes country, Confederate flag in place of redblackgreen, dog in place of child, alcohol in place of crack/blunts, shotgun (?) in place of handgun. Except the children will evidently have a father in the white version.

This stereotype became common at some point when Upper Middle Class Whites began to self identify more with the Hollywood elite than their own White kin directly below them in social status. I would guess that the stereotype did not exist until the 1960's when the first wave of Americans raised on television were entering High School.

First there was 'To Kill a Mockingbird', which set the stage for this phenomenon. Then, probably around the late 60s and 70s starting with movies like Billy Jack (Horrid Movie), The Hills have Eyes, and the Texas Chainsaw Massacre, amonst others, rural whites were portrayed as crazy psychos. Many, many slasher films portray southerners as depraved murderers.

Proabably before that we had the Bevely Hillbillies ('hicks' as stupid / naive / goofy), and Andy Griffith (country folk as quaint and laughable), also made in the mid 60s period, with the Dukes of Hazzard coming later. In the 70s the theme was good redneck / bad rednecks as in the Cannonball run, and Trucker Movies of that time. This is when the demonization of rural whites began and the white southern male persona was formed as a stable of villians.

Now there is only one way for a white southern male who does not hold up blacks as both pitiable/worthy of charity and (at the same time) superior to him to be portrayed; evil. White southern woman get a pass as long as they are portrayed having sex with negroes to make up for slavery. Look at 'In the Heat of the Night' as an example, every show an evil racist white man, hurting those poor loveable negroes who just want to play their music, and be treated as an equal.

Prior to that rural whites were portrayed as good hearted, but naive Christians, as in the movies Elmer Gantry, The Rainmaker, and Night of the Hunter. The jews weren't getting so much mileage out of Nazis anymore and needed a new target, so they switched to klansmen and the average southerner who is implicity accused of secretly holding xenophobic and irrational racist views. Too bad they don't do a true movie about those jews in Iowa with their Kosher slaughter, illegal aliens, and hatred of the people whose communities they migrated to.

Hope this helps, and if I am right or wrong please advise.

First there was 'To Kill a Mockingbird', which set the stage for this phenomenon. Then, probably around the late 60s and 70s starting with movies like Billy Jack (Horrid Movie), The Hills have Eyes, and the Texas Chainsaw Massacre, amonst others, rural whites were portrayed as crazy psychos. Many, many slasher films portray southerners as depraved murderers.

Proabably before that we had the Bevely Hillbillies ('hicks' as stupid / naive / goofy), and Andy Griffith (country folk as quaint and laughable), also made in the mid 60s period, with the Dukes of Hazzard coming later. In the 70s the theme was good redneck / bad rednecks as in the Cannonball run, and Trucker Movies of that time. This is when the demonization of rural whites began and the white southern male persona was formed as a stable of villians.

----- SNIP -----

Hope this helps, and if I am right or wrong please advise.

This is what I tend to recall. Remember the TV show 'Green Acres'? And let's not forget M*A*S*H with so many scripts revolving around ignorant Southern 'racists', or worse, foolish Southern 'patriots' who couldn't understand that [whites fighting a] 'War [for non-jew reasons] is wrong.' Thanks. It's amazing still how much unlearning there remains.

Prior to that rural whites were portrayed as good hearted, but naive Christians, as in the movies Elmer Gantry, The Rainmaker, and Night of the Hunter. The jews weren't getting so much mileage out of Nazis anymore and needed a new target, so they switched to klansmen and the average southerner who is implicity accused of secretly holding xenophobic and irrational racist views. Too bad they don't do a true movie about those jews in Iowa with their Kosher slaughter, illegal aliens, and hatred of the people whose communities they migrated to.

Hope this helps, and if I am right or wrong please advise.

Sergeant York, with Gary Cooper as York. 1941. Rural hero (and in real life, too) York extols the virtues of the good life. Hasn't even seen a subway before. Wins the Congressional Medal of Honor. A good film, what I saw of it.

Rural populations are of better quality than urban.

Just compare whites with jews.

(whites=rural race)

(Jews=urban race)

This bullshit about "white-trash" (what about black-trash btw?) is the product of jews, they said and says they are inbreed, the southerns while themselves are the most imbreed race on earth, there old habbit of blaming everyone except themselves.

IM sick and tired of these bastards let's exterminate them all as soon we have the chance.

The young White who just lost his toddler son to an assassinating spicmud lived in a trailer park. I've been wondering if the murder was an initiation, or if the leftists' White-hating trailer park teachings have percolated to the spix.

Before TV arrived in the early 1950's there was radio, and the networks were just as jewish. I listen to the old shows on tape/mp3, from the early 1940's to the late 1950's. These are like TV dramas, but done without video.

In 1948 CBS's Escape program broadcast Snake Doctor, where southern whites were caricatured as stupid, lazy, brutal and bigoted rednecks (a kindly old white man was the target, but we could imagine who their usual victims were). It opened with, "Tonight we escape to the worn-out acres of a poor white-trash farmer somewhere in the southern mountains."

Apparently they caught some flak, because when it was rebroadcast a year later, they dropped the white-trash allusion and just said, "...the worn-out acres of a poor farm somewhere in the southern mountains."

During the late 1940's through the 1950's there was a lot of anti-racist material in the radio dramas, some of it pretty heavy-handed. Most likely it was part of softening up the country for desegregation. Racists were always portrayed as ignorant, cowardly, viscious, etc, nobody you'd want to be like. Heroes were never racist, in fact they would be the ones to do in the evil racists. Radio was used for role-modeling, just like TV, behavior modification.

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During the late 1940's through the 1950's there was a lot of anti-racist material in the radio dramas, some of it pretty heavy-handed. Most likely it was part of softening up the country for desegregation. Racists were always portrayed as ignorant, cowardly, viscious, etc, nobody you'd want to be like. Heroes were never racist, in fact they would be the ones to do in the evil racists. Radio was used for role-modeling, just like TV, behavior modification.

Thanks for that info. So the anti-white, anti-rural, anti-'racist' campaign has a long history, going back to post-WW2. Do you remember when the campaign picked up speed, becoming omnipresent? Does it coincide with the pushing of Michael 'Lucifer' King as the Negro 'Moses' on the nightly news?

This is, of course, part of the jew divide Whites in order to conquer them strategy. Turn White women against White men, turn the White middle class against the White upper class and vice versa, turn the White middle class against the White lower class. When the White middle class understands that his lower class White brothers and sisters are infinitely more valuable to him and his children and his survival and his civilization than are middle/upper class negroes, mestizos, orientals, Indians from India -- then White Nationalism will have turned a crucial jew-defeating corner.

No doubt "All in the Family" played a significant role in this demeaning of our lower class but still innately superior and intrinsically valuable White brothers and sisters.

Do you remember when the campaign picked up speed, becoming omnipresent? Does it coincide with the pushing of Michael 'Lucifer' King as the Negro 'Moses' on the nightly news?

I couldn't tell you about the nightly news, as I've only listened to the drama shows (like TV prime-time). Radio was in the civil-rights camp, as was all the jewish media. Based on the shows I've heard, the outright propaganda ebbed after peaking in the early 1950's - probably the effort shifted to TV then.

What I do know, may help give you perspective. Radio only cast negroes in positive roles. Amos and Andy began in the 1930's (white men doing dialect), Jack Benny had his wise-cracking servant Rochester, and there were a few other black characters. Both shows lasted into the 1950's, when they went over to TV (A&A switching to black actors). The listener was led to accept negroes as being just like him, nice folks that made him laugh week after week. Probably not too many Americans outside the South actually had much contact with negroes back then - they accepted whatever they heard on radio as being reality.

The anti-racist message show was usually done once or twice a year for any specific drama program (there were maybe 50 or 60 of these in any season, each being broadcast once a week, a half-hour long). It rarely mentioned race directly but made sure it was understood. A black actor would speak in unmistakable dialect, or would be addressed as "Boy," by the villain.

The propaganda aspect played to fear. Sticking with my favorite program, CBS's Escape, there was a 1947 show entitled The Fourth Man, in which three murderous French convicts escape from a prison island in the south Pacific, with a native rowing them across the sea in his canoe. The French criminals continually ridicule him on the basis of his race, his stupid face, his lack of humanity, etc. He is an animal, not a man, to them. They fight among themselves and die, stupidly, while he survives, intelligently.

The 1948 Snake Doctor concludes with the redneck villain scaring himself to death.

In 1950 Escape broadcast Poison, based on a Roald Dahl short story. He wrote it as a comment on the hypocrisy of do-gooders. It was twisted for the radio into a sermon against white racists, with a stupid, loudmouthed, bigoted American in India terrified of a snake bite. He receives help from a wise, personable, native doctor, and seems grateful until things go wrong, whereupon he hysterically shrieks curses at the doctor and pants, "Where I come from we use guys like him for busboys!" The story is told to us by Jack Webb, with his calm monotone, and he concludes by dryly explaining that his friend made it back to the US, where he was killed by a cab]Gunsmoke, which began in 1952 and ran all the way up to 1961 (it had a different cast than the TV version, and was a half-hour long). It used a simple formula: white=bad / red=good. Indians were always brave, noble, victimized, persecuted. They were never drunken, violent, thieving, cruel, lying, nor did they brutalize women - only white men did those things. The Indian's habit of torturing captured enemies was only allowed into one episode, but the white victim had been established as a murderer himself, and the Indian's viewpoint was sympathetically explained. It was not a steady drumbeat. Gunsmoke ran weekly, and maybe one in four shows has a message. You get to like Matt Dillon, and identify with him. He's a good man. When the show comes along that has an Indian, and Dillon takes his side over whites (the Indian being portrayed as wonderful, the whites as awful), you accept it as something that a good man does. People would have figured, those were bad white men, I'm not like that. I want to be a good white man, like Marshal Dillon.

That, and a ton of other similar conditioning, had to be in the minds of most Americans when we later watched the TV coverage of Bull Connor turning the fire hoses on the civil rights demonstrators, the police dogs snapping at cringing negroes etc. We saw lovable old Rochester getting bitten. Add to that whatever the TV commentators said (probably shock and outrage), and our media conditioning took over. We understood. Those Southern policemen were bad whites. We were good whites. And we proved how good we were by letting our country be taken away from us.