... So I thought I would plug into Thanksgiving culture and watch some football. The usual commercials depicting Blacks and Whites as best friends. Whites as uncool, inept and stupid. Blacks as sexy and wise. Horrible food promoted by sexy blondes.
This has gotten to be a really ugly culture, completely divorced from reality, constantly attempting to reshape stereotypes that conflict with the envisioned multicultural utopia of the future.
A couple of movie commercials caught my eye: Lincoln is clearly a propaganda piece, depicting Lincoln (falsely) as mainly motivated to end slavery. (LewRockwell.com has made a cottage industry of puncturing the deification of Lincoln and the mendacity of this movie.
(Nevertheless, the abolitionist moral fervor so typical of White people [and only White people] was an important force during the period. Movies like this, as with much of the culture of critique, take advantage of the moral universalism so central to Western peoples in order to pursue contemporary political agendas. They are typically produced by activists who are hostile to the people and culture of the West.)
I am sure the movie merits a full review, but I rather doubt I could stomach it. The main purpose for the project in the current cultural environment is surely to induce yet more White guilt among all the earnest, morally sensitive and gullible White folks who will see it, aided and abetted by glowing reviewsand hints of many Oscars to come. The folks who attend the movie can be sure that their positive reactions have been validated by the New York Times and other prestigious media.
Movies like Lincoln are thus mainly intended to further the cause of the suicide of White America—to be an object lesson on the necessity of multiculturalism and the moral imperative of the displacement and disempowerment of Whites.
Lots of Jewish involvement: Produced and directed by Jewish ethnic activist Stephen Spielberg (Schindler’s List; see also here), starring Daniel Day-Lewis (half Jewish), based on a biography of Lincoln by plagiarist Doris Kearns Goodwin (married to a Jew), screenplay by gay activist Tony Kushner, who says he decided not to portray Lincoln as gay. One doesn’t want to get too far out ahead of the cultural zeitgeist. Maybe in a few years...
Full article and at least 73 comments here: http://www.theoccidentalobserver.net/2012/11/thanksgiving/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+theoccidentalobserver%2Ffeed+%28The+Occidental+Observer%29