18 July, 2011

White Art

Posted by Socrates in art, Socrates, White art/architecture at 4:12 pm | Permanent Link

Ilya Efimovich Repin (1844-1930).

repin

(Above: Repin’s “On a Bridge in Abramtsevo”)

More: [Here].


  • 8 Responses to “White Art”

    1. confederate Says:

      it is amazing that some europeans could paint so well that their work could be mistaken for a photograph

    2. Tim McGreen Says:

      I’d like to see some Jew or Niggra paint like that. The 19th Century was a golden age for Russian culture.

    3. Arminius Says:

      The work itself is excellent and realistic.
      The holes in the bridge planking and the missing right handrail seem to be also typical Russian.
      Nothing has changed to this day in that regard.

    4. CW-2 Says:

      Correct me if this quote is incorrect but Bismarck said something like this about Russia, ‘Although her feet stand in Asia her head rests in Europe’. Repin’s paintings clearly demonstrate his mastery of the European painting style both in technique and subject matter.
      Russia is a vital front in the war for White survival, although even there big jew is pushing for mud immigration.

    5. Luke Says:

      I have a feeling that these two girls are going through that classic
      teenage-girl rebellious stage where they decide they want to do everything the exact opposite of what their mother does.

      I’ve witnessed a lot of this sort of behavior – these mother-daughter feuds that erupt during the teen years and they can often last for several years, and sometimes for decades. I suspect that most of these conflicts are somehow tied into those complicated female hormones that most of us guys can never quite figure out, and which are probably blooming inside both of these young females.

      I wouldn’t be surprised to see one or both of them get their cherry popped by a denizen of the jungle and if that happens, you can bet the farm that the jew media will have their pictures on every National Enquirer newspaper, swapping spit with their negro race destroying stud.

      Just to rub our racial defilement in our faces, you see. jews love to do this and they never tire of it.

    6. torrence Says:

      torrence Says:
      July 20th, 2011 at 12:36 pm

      My race-soul, my appreciation of wholesome aesthetics responds to such beauty. It is Western Art. Cultural Joy is experienced when contemplating such artwork. Made by White people to the world’s gain.
      Compare the spiritual state of Repin’s time with the cultural state of White people today. I look at Repin’s work and then look at the Gaede girl’s ‘astrologic art’ and can only feel confused as was Hitler when he first studied the Viennese Jews. He had to ask himself: ‘Are they German?’ I need to ask myself: ‘Are they healthy Whites?’

      Having grown up within the Ukrainian community, the Repin canvas ‘The Reply of the Zaporozhian Cossacks to Sultan Mahmoud IV’ is well known to me. Many a home has had that piece hung on a wall. It is perhaps the best known of Repin’s works. The original is quite large, measuring 6 2/3 feet x 11 3/4 feet. No wonder it took 11 years to finish.
      ——————————————————————-

      HERE IS A BIT ON THE HISTORY THE ARTWORK MEMORIALIZES:

      The text of the Sultan’s letter to the Cossacks:

      As the Sultan; son of Muhammad; brother of the Sun and Moon; grandson and viceroy of God; ruler of the kingdoms of Macedonia, Babylon, Jerusalem, Upper and Lower Egypt; emperor of emperors; sovereign of sovereigns; extraordinary knight, never defeated; steadfast guardian of the tomb of Jesus Christ; trustee chosen by God himself; the hope and comfort of Muslims; confounder and great defender of Christians—I command you, the Zaporozhian Cossacks, to submit to me voluntarily and without any resistance, and to desist from troubling me with your attacks.

      —Turkish Sultan Mehmed IV

      The reply was a stream of invective and vulgar rhymes, parodying the Sultan’s titles:

      Zaporozhian Cossacks to the Turkish Sultan!

      Thou art a turkish imp, the damned devil’s brother and friend, and a secretary to Lucifer himself. What the devil kind of knight art thou that cannot slay a hedgehog with your naked arse? The devil shits, and your army eats. Thou son of a bitch wilt not ever make subjects of Christian sons; we have no fear of your army, by land and by sea we will battle with thee, fuck thy mother.

      Thou art the Babylonian scullion, Macedonian wheelwright, brewer of Jerusalem, goat-fucker of Alexandria, swineherd of Greater and Lesser Egypt, Armenian pig, Podolian villain, catamite of Tartary, hangman of Kamyanets, and fool of all the world and underworld, a fool before our God, a grandson of the Serpent, and the crick in our dick. Pig’s snout, mare’s arse, slaughterhouse cur, unchristened brow, screw thine own mother!

      So the Zaporozhians declare, you lowlife. Thou wilt not even be herding Christian pigs. Now we shall conclude, for we don’t know the date and don’t have a calendar; the moon’s in the sky, the year in the book, the day’s the same over here as it is over there; for this kiss our arse!

    7. Tim McGreen Says:

      Torrence, you forgot to provide a link to that excellent painting! I’ll bet those Cossacks were wilder than the San Fernando Valley Chapter of the Hell’s Angels in the 1960s.

      I’d love to see the Jews’ expression if these guys came riding into Beverly Hills or the Hasidic neighborhoods of Brooklyn.

      http://www.tanais.info/art/en/pic/repin75.html

    8. ty grant Says:

      The image is very nice and wonderful… I like how the lady is nicely dressed and on a bridge ready to figure out if she should cross in to the woods or not, kind of like little red riding hood… It is hard to navigate through the jewed meanings and views of a beautiful white woman and her actions… these views and meanings are either about sex or child porn or lesbianism or homosexual intendicies…