11 August, 2010

Posted by Socrates in literature, poems, poetry, Socrates, White thought at 1:13 am | Permanent Link

The famed poet Byron (1788-1824) had a flair for words, you have to admit, even if you aren’t a fan of poetry:

[Website].

11 August, 2010

Posted by Socrates in blacks, crime, Socrates at 12:54 am | Permanent Link

Instead of the usual Blacks-attacking-Whites, it looks like the opposite may be happening up north:

[Article].

9 August, 2010

Posted by Socrates in jewed culture, Kevin MacDonald, Max Hadden, Nazis, neo-nazis/nationalists, Socrates at 12:41 pm | Permanent Link

by Max Hadden.

“In the past, I’ve explained why the Jews are the enemy, some of the tools they are using to destroy us, the names of many responsible, and their primary mental weapon: demoralization (see “These Are Not The Jews You’re Looking For”). The Jews and their brainwashed followers in the mass media of news and entertainment and in our educational institutions criticize White people relentlessly demoralizing generations of White children and making them harmless servants and obedient victims. The false ideology of Marxism is pervasive and damaging, but the problem is far worse than “conservatives” admit when they claim the problem is “liberalism”. When a race cannot reproduce themselves they are dying and will become extinct. The following thoughts might sound repetitive, but it is imperative that we understand how the Jews are exterminating the White race.”

[VNN Forum].

7 August, 2010

Posted by Socrates in dysgenics, fake crisis, global warming, jewed culture, jewed foreign policy, jewed media, Socrates, Vietnam War, war, war as a racket at 1:59 pm | Permanent Link

Heard: a news reporter talking about how an American man “served his country” fighting in Vietnam. His country? Huh. Not only are wars good for Jews financially (the government must borrow money, with interest on the loans, to fight the wars) but also, wars divert the attention of the goyim so that they focus on the wars and not on which greasy tribe is wrecking their country. (Media-driven crises such as “global warming” do the same thing). Wars are also dysgenic for Whites. By the way, have you ever heard of Walt Rostow? Further, the fact that Jews played a big role in the anti-Vietnam War movement changes nothing. Jews are not only born dissenters, but were usually pro-communist in the 1960s, before the neocon revolution.

7 August, 2010

Posted by Socrates in Alexander Solzhenitsyn, Kevin MacDonald, Socrates, Soviet holocaust at 10:51 am | Permanent Link

[Article].

Re: Bolshevik crimes, see comments #1, #2 and #3 [Here].

6 August, 2010

Posted by Socrates in conservatives, feminism, General Decline, jewed culture, jewed law, law, Obama, Socrates, Supreme Court at 6:05 pm | Permanent Link

But worry not. All you have to do is keep voting for conservatives, and America will return to being a White republic real soon…right? No? Oh, you’re such a pessimist…

[Article].

6 August, 2010

Posted by Socrates in Boas, communism, Cultural Marxism, egalitarianism, equality, equalocracy, federal power, Frankfurt School, Franz Boas, homosexual themes, homosexuals, Marxism, Max Horkheimer, Socrates at 3:19 am | Permanent Link

Another federal judge voids another state law. Why do states even exist? Why doesn’t the federal government just dissolve all of the states and then rename America? Here’s a possible name: “People’s Democratic Republic of Boasheimer” (after Franz Boas and Max Horkheimer):

[Article].

4 August, 2010

Posted by Archives in Arch Stanton at 8:07 pm | Permanent Link

(Click image to enlarge)

by Arch Stanton.

Last night I had an epiphany. It came after watching a movie titled “Russian Ark.” This 2002 Russian film is aptly titled as it encapsulates and preserves Russian culture as it was before the jewish/Bolshevik revolution of 1917. A lavish production filmed inside the state Hermitage in St. Petersburg , the film is a dream-walk through what Russia was before Tsar Nicholas was murdered and Russia was destroyed. The Empress Elizabeth Petrovna commissioned construction of the winter palace in 1754. Catherine The Great then built the adjoining, small Hermitage in 1764 to house her art collection. The “great hermitage” was built in 1771 and eventually declared a state museum by the communist overlords. The movie takes the viewer back through history using the character of an 19th-century French diplomat as a guide. It provides a fascinating look at various historical periods from Catharine The Great to Tsar Nicolas. The film employs an astonishing number of actors. The sheer panorama makes it difficult at points to think one is not actually looking through a window of time.

As the movie progresses, the lavishness increases until the end where the viewer finds snapshots of the spectacular parties and political functions of Russian court. Unlike an American movie that would undoubtedly portray such lavishness as a sickening feature of the white race thankfully lost, the Russians embrace their heritage. They portray their ancestors in a more loving light by the fact that they are not critical of, nor do they assign any blame for, their actions. These “slice of life” vignettes have literally hundreds of fully costumed historical figures in attendance. The splendor of the Russian court is visually astounding to the point where one actually feels humbled watching it. The last shot in the movie features panoramic views of the characters walking though the Hermitage. The men are dressed in a complex array of military and diplomatic service uniforms, while the women are delicate and beautiful in their display of elaborate gowns from the various eras. It is a breathtakingly beautiful display of white culture at what was probably its zenith.

When the screen finally went black, I suddenly felt that everything was tightly connected. It was as if I could see the whole of history in one long chain of events, stretching all the way back to the Bible. I felt like I could see everything that has happened and everything that is going to happen. It was like a perfect pattern laid out in front of me and I realized we were all a part of it and all trapped by it. I could see everything western culture had lost; not just the pomp and circumstance of its royal courts, but its very soul. My first thought was, “the jews really have destroyed it all; everything precious to western culture has been debased to its rudest elements or destroyed outright. The fat lady really has sung.” My second thought was that the first reaction most Americans would exhibit towards this film is a disgusting, egalitarian counterpoint to the Russian nobility: they would imagine the horrible conditions of squalor and misery suffered by the Russian peasantry. White western man is so imbued with guilt that he can no longer view beauty in its own right. He must always contrast the beauty of western civilization with the few ugly parts of it.

The classic perception of the screw-the-little-guy, “let them eat cake” syndrome (a statement never actually made by the lovely Marie) is typically ascribed by moderns to the nobility of previous eras. Yet, how many Americans have any knowledge of the actual social conditions of the peasant classes or their feelings towards the nobility? How many will ever think to contrast the typically-perceived horrific conditions endured by these peasants with their eventual slaughter by the jewish commissars who “liberated” Russia from its monarchal “oppressors”? How many know why Peter and Catherine of Russia were assigned the title of “great” by the very peasant classes they supposedly oppressed? Did anyone ever spontaneously assign the title of “great” to a communist politburo member? How many descriptions of these times have been squeezed and filtered though the lens of the jewish propagandist?

This movie provided an intense impression of a white woman’s culture now destroyed; a culture that strove to achieve high standards of beauty and excellence. Perhaps misguided at times, these standards were nonetheless essentially native to a culture that once valued poise, a demure nature, porcelain white skin and carefully coiffed hair. These were the women young girls dreamed of emulating; women who set social standards worth striving for.

The lack of body-piercing or tattoos in the movie was, of course, glaringly obvious. I couldn’t begin to imagine where an American director might find the same number of unmarked and unsullied women for such a film (i. e., women who have yet to embrace the jewish message “revel in your status as a worthless shiksa whore; after all, you’re no longer a lady, you’re a half-dead goth slut! Hate yourself! Hate your race! Show your hate by defacing your natural beauty! Tattoo and pierce your perfect skin! Roll like a dog in the filth of your debased status! Mate with the lowest form of life that can walk upright, spread your legs for it twice a day!”)

It took countless millennia for white civilization to climb out of the slime pits of animal savagery. Yet it took only the briefest moment for it to return to the abyss. When I look around America, I am sickened at the thought of how it is almost impossible to find white women without tattoos or body-piercings mutilating their perfect beauty. Even the very young have rings through their noses like the sluts they are to become. The other day I happened to pass an exquisitely beautiful white girl. She, not more than 14, was pandering to the blackest savage, who looked freshly arrived from an African jungle. The young girl, bright and alert, was dialing her cell phone while the savage looked on, dull and stupefied – not so much with disinterest as with a total lack of concentration or cognitive thought. My mind flashed on what this girl might look like after birthing a brood of half-breed savages who would forever remain with one foot mired in the African jungle. As dimwitted subhumans pop out one after another from her birth canal, this beautiful white girl will be transformed into an ugly skank, working the streets to support her savage stud’s crack habit. I had to leave quickly to distance the thought from my mind.

Where is the public disgust at young girls mutilating their bodies with piercings and tattoos and becoming sluts at 14? Where is the moral outrage concerning these same white children being turned over to Negro savages? (Contrast the latter to a really big public outrage, pedophilia: what are the real numbers of pedophilic predations compared to the Negro’s predations upon young white females? Which do you think poses the greater threat to American society, pedophiles or Negro role models openly presented to white teenagers as the finest mating material?).

After comparing old St. Petersburg to the modern West, one is hit with the realization that it may take hundreds of years for the white race to emerge from the slime pits of the jew’s cultural latrine. Only obscure images on film will recall the white man’s former glory, a glory that might have been the foundation of an even greater civilization had it not been infiltrated by the vile jew.

4 August, 2010

Posted by Socrates in Socrates, William Pierce, William Pierce Wednesday at 4:25 pm | Permanent Link

by Dr. William Pierce.

[…]

“The average White American hasn’t an idea in his head that didn’t come from his television receiver. The notion of the average American being vigilant is simply ridiculous. But you know, that really doesn’t worry him a bit. He’s not interested in liberty, so why should he care about being vigilant? What he’s interested in is, when does the next ball game come on? Is there any more beer in the refrigerator? When’s supper?”

[Article].

For the audio version of this article, go [Here] and scroll down to 07-24-1999.

2 August, 2010

Posted by Socrates in Afghanistan, democracy, democrazy, global government, globalization, international Jewry, internationalism, jewed foreign policy, nation-building/nation-wrecking, NATO, Socrates, tikkun olam, UN at 6:55 pm | Permanent Link

Wait!…come back…what about Pakistan, and Somethingstan, and Somethingsomethingstan?…your work for Big Jew isn’t finished yet…what about tikkun olam and democrazy?…

[Article].